Wordplay Thursday #31

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“She’s as honest as _______.”

I’ll give you an example to get you started:

“She’s as honest as her third glass of wine.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #30 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

The 4 Cornerstones Of Songwriting Success: W.R.A.P.

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

I believe there are four cornerstones to professional songwriting success. You can remember them by the acronym, “W.R.A.P.” They are:

1. Writing

This one’s pretty obvious. We’re songwriters, aren’t we? If you’re a writer… write. If you don’t write, there’s nothing to get recorded. And it’s not enough to just write every once in a while. Write hard, write consistently.

2. Recording

It’s not enough to have scratchy worktapes if you want someone else to cut and release your song. You have to get a good recording of your song- one that presents it in a good light. This could be a guitar/vocal, a full demo, or something in between.

3. Accessing

A great demo does you no good if you can’t get it into the hands of someone who can do something with it. Accessing is building relationships and otherwise gaining accesss to singers, publishers, labels, producers, etc.

4. Pitching

You have to ask for the cut, as simple as that. You have to give publishers, artists, etc. the opportunity to say “yes” to your song.

Note that each of these are cornerstones – you won’t have a stable, well-functioning career if you neglect one or more of them. I’m not saying you should spend equal hours on each of these areas, but you should give them the proper amount of time based on your particular situation.

WRAP is also good for helping you focus on what’s important. If an opportunity comes up, compare it to WRAP. If that activity doesn’t fall into one of those categories, it might not be a wise use of your time.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask? Leave a comment! Are there any topics you’d like to see addressed in a future MvR post? Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post! Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page. It’s either in the upper righthand corner or down below. Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music: http://www.brentbaxtermusic.com

Write What You Know… Or What Your Cowriter Knows

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

If you haven’t experienced the country lifestyle, you probably can’t write about it believably.  Write what YOU know – don’t try to out-redneck a redneck.  However, if your cowriter is a legit country boy or girl, draw from his or her experience.  This expands what you can write about believably.  Teamwork.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #30

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“Jimmy has the attention span of _______.”

I’ll give you an example to get you started:

“Jimmy has the attention span of a bottle rocket.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #29 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

Turn Your Negative Title Into A Positive Song

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Commercially-speaking, positive songs are in higher demand than negative songs.  (That’s not a surprise if you listen to the radio.)  But what if most of the titles you come up with are sad/negative?  I humbly suggest that most titles that sounds negative can be used for a positive song if you’re creative enough.

For example, “You Broke My Heart” could mean “You broke my heart out of it’s chains.”  I had an old idea called, “Minutes From A Memory” about a guy that knew his girl was about to leave him.  Thankfully, my cowriter (Jason Cox) saw it as a guy knowing he and his girl are about to make a great memory.  That’s so much more commercial!

I confess to being a negative-first kind songwriter.  Maybe pain just just more interesting.  Who knows?  But I’ve really worked on not settling for a negative idea just because it’s my first impression of a title.  Not only are those negative-title-positive-songs more commercial because they’re positive, they’re also more interesting because you have to dig deeper into your idea.  Win-win!

God Bless,

Brent

YOU VS…

Take one or two of your “negative” titles (whether you’ve already written them or not) and find a positive spin on them.  Good luck!  Also, anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #29

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“He sings like _______.”

I’ll give you an example to get you started:

“He sings like Pavarotti… choking on a chicken nugget.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #28 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

The Humane Society And Songwriting

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Have you seen those Humane Society commercials about pet adoption?  You know- the ones with Sarah McLachlan singing “Angel?”  Those are sure hard to watch- just heartbreaking.  And you know why?  It’s the PICTURES.

If those commercials only had the music and somebody TELLING you ABOUT sad, neglected animals, they wouldn’t have nearly the same impact.  Telling us about abused animals transmits information to our brains.  But SHOWING us abused animals transmits information to our hearts.

And that is why we should put pictures in the lyrics of our songs.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #28

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“The moon was as bright as _______.”

I’ll give you an example to get you started:

“The moon was as bright as Ms. America’s smile.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #27 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

How Do You Know Who Is Looking For Songs?

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

After I posted “10 Reasons Songwriters Should Pitch Their Own Songs” (read it HERE), I got a few questions about how to pitch and how to know who’s looking for songs.  Today, let’s dive into the 2nd part- how to know who’s looking and listening for songs.

1. Personal relationships.

If you personally know an artist, producer or label A&R, they can tell you if they’re actively listening for a project.  And they MIGHT even know what they need and when they need it.  But remember, any info is always subject to change at a moment’s notice.

2. Industry chatter.

If you can’t get the scoop directly from the horse’s mouth, publishers and other songwriters are always talking.  Keep your ear to the ground, and don’t be afraid to ask questions.

3. Industry pitch sheets.

RowFax is a paid subscription service which lists projects, points of contact, etc.  It might even say what they’re looking for (usually “hits” or “great songs” or “uptempo positive”).  There are also a few inside-the-industry tip sheets, too.  But you have to know somebody to get them.  Now, these definitely carry some incorrect info- a buddy of mine is on there, and it lists the incorrect producer and music description.  So take it all with a grain of salt.  Oh, and tip sheets don’t provide contact information- you have to get that some other way.

To check out RowFax, click HERE.

4. Liner notes.

If an artist is doing well, you know they’re gonna make another album.  And they’ll probably be looking real hard when they’re on the second or third single from their current album.  Check the album’s liner notes for the name of their label and producer, then do some research for how to find them.  Of course, the artist may be changing producers for the next album, so you never know for sure.

5. Sources I missed.

I’m sure there are some tip-list services I missed.  If you know of any, please add them to the comments- along with any personal recommendations.  Teamwork makes the dream work, ya know.

I hope that helps.  I know there’s no magic bullet, but that’s just the way it is.  That’s one reason why writers that have success can keep it going more easily- they have more accurate information because of their connections.  Good luck out there.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

The Big Yes

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

When pitching a song, there is a “Little Yes” and a “Big Yes.”  The Little Yes is a person who only has the power to pass your song up the ladder.  The Big Yes is one of those very few people on a project who actually decides what gets cut.

Don’t just assume that the artist is always the Big Yes.  If he’s brand new, the producer or the head of A&R might be the Big Yes.  If you’re pitching for a specific project, don’t be satisfied with just pitching to the Little Yes.  Try to identify the Big Yes.  After all, a Little Yes can’t really say “yes,” but they can say “no.”

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com