The music business is a relationship business. Yes, it takes great music. But it also takes great relationships. And it’s amazing how just ONE relationship can open up MANY doors of opportunity.
One believer- one champion- can change your career.
____________________
To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success. Get it today!
_________________________________
I’m friends with Chad Green. I’ve been thinking a lot about Chad lately because I have a “Know The Row” event coming up with him next month. He’s currently the Senior Creative Director at Daywind Music Publishing.
But back in 2004, Chad was a membership representative with ASCAP, my Performing Rights Organization, or PRO.
In our first meeting, he picked up the phone and called Major Bob Music for me. I’d dropped off a comp for them and never heard anything back. This time, after Chad’s call, they listened. That call led to a meeting and eventually led to my first publishing deal. Thanks, Chad.
Chad also invited me to join ASCAP’s Country Workshop, where I met hit songwriter Byron Hill. Byron’s written “Fool Hearted Memory” for George Strait, “Politics Religion And More” for Sammy Kershaw, “Born Country” for Alabama and more. Byron and I eventually started writing together, and that has led to a few cuts, including “When Your Lips Are So Close,” a #1 Canadian country single and 2014 CCMA Single Of The Year for Gord Bamford. Thanks, Chad.
After Chad left ASCAP, he was Creative Director for Word Music Publishing. He called me up about some cowrites. That’s when I met Brian Hitt and Jay Speight. Together, we’ve had a song called “God Amazing” cut by Charles Billingsley in the Christian market. We also landed a few songs on a Christian children’s album called “K-Tunez Praise.” Side note- it’s fun when I hear my kids spinning that album in their room. Thanks, Chad.
Now Chad is Senior Creative Director at Daywind Music Publishing. So far, he’s introduced me to one of my favorite cowriters, a guy named Jason Wilkes. And Chad is currently working on getting me in the room with a successful country artist for an upcoming project on Daywind. I can’t say who the artist is, but I have a few of his country records, and I’m super pumped for the opportunity.
One industry contact has turned into a friendship and – over time – has led to a lot of good things. And that’s the lesson for YOU SongPros out there.
Relationships matter. Relationships open doors.
And it’s a two-way street. Chad calls me 1) because we’re friends and 2) he believes in my songwriting chops. He’s not going to bring me in with one of his writers or one of his artists if he thinks I’m going to blow it. After all, he has his own family to feed. He has his own professional reputation to consider.
I’ve made it easy for him to open those doors for me by 1) being a writer he respects and 2) being a friend.
Another lesson: people don’t stay in the same jobs forever. Chad was an ASCAP rep. At that job, he was able to hook me up with a publisher. Later, at a publishing company, he was able to hook me up with cowrites. Now, he also has contacts with a label, and he’s working on hooking me up with an artist.
Think long-term.
They say to make friends BEFORE you need them. I hope you’ll be mindful of making long-term contacts in the music business. And it all starts with a first step.
I have a great first step for you. If you’d like a chance to hang out with Chad Green yourself, we’re doing an online Know The Row event in July. With it being online, you can join us from anywhere in the world with an internet connection. If you want details, just CLICK HERE. Tickets are on sale now!
God Bless and Enjoy the Journey,
Brent
Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.
Good advise as always.Will try to attend Know The Row coming up.
I met Chad as well when he was a ASCAP member rep back in the late 90’s. I was a staff writer for Split Publishing at the time. When Split closed it’s doors, I was living in Memphis, Chad continued to call me for songwriter meetings with established writers like Del Gray and Micheal Peterson. Life and family has taken over since then, but I would love to get back into the game, as I’ve continued to write over the years, but been too busy working to focus on the business aspect. I’ll definitely look into this.