All posts by Brent Baxter

Ask hit songwriter Chris Lindsey YOUR questions!

You’re invited to “Know The Row!”

Hello!
  Frettie’s “Know The Row” is a cool opportunity for us to hang out together (online) with a music industry pro.  And this month, we have a great one!  Oh, and it’s 100% FREE.

This event will start off with a brief conversation between me and our guest, as he reveals information YOU need to know about the music biz.  After that, we’ll open it up to YOUR questions (so think ahead).

Read on for more details.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

This month, our guest is hit songwriter CHRIS LINDSEY!  Chris is a Grammy-nominated songwriter and producer, and his cuts include “Amazed” by Lonestar, “Every Time I Hear That Song” by Blake Shelton, as well as cuts by Carrie Underwood, Keith Urban, Tim McGraw, The Civil Wars and more.  He also has a great podcast called, “The Pitch List.”

This is something you do NOT want to miss!

This event will be on Tuesday, October 16, from 7:30pm – 8:30pm CENTRAL TIME.

Oh, and these events are normally only for Frettie subscribers.  But I’ve decided to open this one up to the public, so feel free to show up and send this link to your songwriting buddies! You do NOT have to be a Frettie subscriber to join this great event!

Please note that this Know The Row event WILL be recorded and added to the Frettie Members Area.  These videos are a resource for Frettie subscribers.  In other words, just be aware that what we talk about will not stay just between those of us online that night.

CLICK HERE TO GET ALL THE INFO.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens and more. He’s written a top 5 hit in the US, a #1 in Canada, and a top 10 in Texas.  His songs appear on 5 industry-certified gold & platinum albums & singles… so far.  He also hosts a top-rated songwriting and music business podcast called, “The C.L.I.M.B.” which can be found on iTunes or your favorite podcast app.

The C.L.I.M.B. Expand Your Brand #17: Wickedly Powerful Archetypes

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES…   HERE FOR STITCHER (Android)… & HERE FOR THE WEBSITE

Did you know Coca-Cola’s brand archetype is The Innocent?  Are you aware Pepsi’s is The Jester?

Apple’s is The Outlaw, Tom Hanks is The Innocent.  Jack Nicholson’s is The Outlaw, Taylor Swift’s is The Innocent.

What’s your personal archetype?  What’s your artist brand archetype?  It’s entirely possible they may not be the same.

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is proud to partner with Disc Makers- who have been supporting indie musicians before indie music was even a thing.

When you’re ready to make CDs, DVDs, vinyl- or distribute your music and videos with customized USBs- www.discmakers.com is the only place you need to go.

And while you’re there, click the “Guides and Resources” tab and download some of their excellent free guides.  They’ve just revised and expanded their Home Studio Handbook, which has got a ton of great advice and information for newbies and studio veterans.

Find them online at www.discmakers.com or give them a call at 800-468-9353.

 

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #260

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“I believe in ________, but ________ doesn’t believe in _______.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a creative kickstarter EVERY SINGLE DAY.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #139: Are Your Songs Road-Ready?

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE TO LISTEN ON THE WEBSITE

In this episode, Johnny and I share how drive-time can put your song is the fast lane… or in the ditch.  What do people want to hear when they’re behind the wheel, and how should you respond as a songwriter?

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

The C.L.I.M.B. Podcast is proud to partner with Disc Makers- who have been supporting indie musicians before indie music was even a thing.

When you’re ready to make CDs, DVDs, vinyl- or distribute your music and videos with customized USBs- www.discmakers.com is the only place you need to go.

And while you’re there, click the “Guides and Resources” tab and download some of their excellent free guides.  They’ve just revised and expanded their Home Studio Handbook, which has got a ton of great advice and information for newbies and studio veterans.

Find them online at www.discmakers.com or give them a call at 800-468-9353.

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 10 in Texas, a top 5 hit in the US and a #1 in Canada… so far.

How long should it take to write a song?

“How long should it take to write a song?”  Is there such a thing as writing a song too fast or too slowly?

I recently had this basic question come in from someone in the Songwriting Pro community.  And I figure if one person wonders about it, there are probably a lot of people who wonder about it.  So let’s dive in!

Read on.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Writing a song takes as long as it takes.

First of all, if anyone tells you anything like, “it should only take 30 minutes to write a song” or “it should never take less than 3 hours to write a song…” ignore them.  They aren’t being correct, and they aren’t being helpful.

Maybe they get their best work done within a certain timeframe.  But that only works for them.  They aren’t you.  You should take as much time (or as little time) to write the song as the song dictates.

“Stand By Your Man” but not by your clock.

The country standard, “Stand By Your Man” was written by Tammy Wynette and Billy Sherrill.  And they wrote it in about 15 minutes.  But so what?  They aren’t you.

“The House That Built Me” was not built in a day.

Tom Douglas and Allen Shamblin went back to “The House That Built Me” for several years before they finally got it right.  And it is a new country classic and won both the ACM and CMA Song Of The Year.  But you know what?  They aren’t you, either.

My point with sharing these polar opposites is to show that great songs don’t have a certain writing deadline.

Some songs come quickly.  Some take hours.  Some take years of “let’s take another look at this one.”  And that’s okay.  You don’t have to judge yourself by anyone else’s opinion of how fast you should finish a song.  You write however it is that you get your best results.  Period.

Two warnings:

Avoid shallow thinking.

Don’t be in such a hurry to finish every song that you don’t really dig into them.  If you just want to write songs, I guess it doesn’t matter if you put in much effort.  But if you want to write GREAT songs, it’s going to take work.

If you hear those stories about someone writing a hit in 20 minutes, you have to remember that the hit wasn’t their first song.  Or probably anywhere in their first 100 songs.  They’d written a bunch of songs by that point, and so they were able to work more efficiently- not having to think about structure, rhyme scheme, etc.  It was “built in” to their writing by that point.

Bottom line: it takes a lot of work to make it look easy.  So put in the work.

Avoid analysis paralysis.

On the other end of the spectrum, maybe you overthink your song and beat it to death in your head so much that you never finish it.  You second-guess every syllable.  Then you third-guess it.  Then fourth-guess it, etc.

At the end of the day, for you, maybe you just need to practice calling songs “done.”  Maybe you’re overthinking your songs because you are scared of actually putting them into the world where they might “fail” (whatever failure means to you).  Maybe you’re avoiding something by refusing to finish a song.

Bottom line: you’ll never reach your songwriting goals if you don’t finish some dang songs!  So finish a few and just let them go.

Either way you write, whether fast or slow, nobody really cares.  They only care if your song knocks their socks off.  That’s all.  Then they’ll be curious how long it took you to write it.

You do you, and you’ll do just fine.

Hey, do you have a question you’d like ask a pro songwriter?  If so, I have a great opportunity coming up for you… and it’s FREE.  On October 16, I’m hosting a “Know The Row” event with multi-hit songwriter, Chris Lindsey.  He penned “Amazed” for Lonestar and “Every Time I Hear That Song” for Blake Shelton, and more.  And you can ask him YOUR questions.  And it’s an online event, so you can join us from anywhere in the world.

CLICK HERE TO GET ALL THE INFO.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens and more. He’s written a top 5 hit in the US, a #1 in Canada, and a top 10 in Texas.  His songs appear on 5 industry-certified gold & platinum albums & singles… so far.  He also hosts a top-rated songwriting and music business podcast called, “The C.L.I.M.B.” which can be found on iTunes or your favorite podcast app.SWP 4

Song Title Challenge #24: “Thanks For Noticing”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – & HERE FOR THE WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.

It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is proud to partner with Disc Makers- who have been supporting indie musicians before indie music was even a thing.

When you’re ready to make CDs, DVDs, vinyl- or distribute your music and videos with customized USBs- www.discmakers.com is the only place you need to go.

And while you’re there, click the “Guides and Resources” tab and download some of their excellent free guides.  They’ve just revised and expanded their Home Studio Handbook, which has got a ton of great advice and information for newbies and studio veterans.

Find them online at www.discmakers.com or give them a call at 800-468-9353.

 

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #259

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“I bet you have a ________, but…”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a creative kickstarter EVERY SINGLE DAY.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #138: How to attract massive opportunity for your music business

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE TO LISTEN ON THE WEBSITE

In this episode, Johnny and I share how YOU can attract massive opportunities for your music business.  And we’re not just talking- we’ll share how we’ve attracted a massive opportunity for this very podcast.

It’s working for us, and it’ll work for you.  We want you to win.

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

The C.L.I.M.B. Podcast is proud to partner with Disc Makers- who have been supporting indie musicians before indie music was even a thing.

When you’re ready to make CDs, DVDs, vinyl- or distribute your music and videos with customized USBs- www.discmakers.com is the only place you need to go.

And while you’re there, click the “Guides and Resources” tab and download some of their excellent free guides.  They’ve just revised and expanded their Home Studio Handbook, which has got a ton of great advice and information for newbies and studio veterans.

Find them online at www.discmakers.com or give them a call at 800-468-9353.

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 10 in Texas, a top 5 hit in the US and a #1 in Canada… so far.

Should my musician get songwriting credit?

QUESTION: I write lyric and melody, but I don’t play an instrument.  If I get someone to put the guitar or piano to my song, should they get songwriting credit?

This question came up during a recent songwriter workshop, and I thought it would be a good one to address here.  Do you wonder about this, too?  If someone puts the chords to your song, should they get songwriting credit?

Let’s dive in.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

The short answer is “no, probably not.”  The longer answer is a little more nuanced.

A song is melody and lyric.

If you wrote both of those things, you wrote a complete song.  Now, maybe you aren’t an instrumentalist, and you need someone to play the song for your recording.  Maybe you don’t even know the chords, so they have to figure them out.

Figuring out the chords for your song is NOT co-writing the song.

The two of you can work out whatever deal you want, but in my experience in the music business, figuring out chords or playing on the recording does not equal a cowriting situation.  It’s either a favor for a friend or a one-time paid job.  It does not entitle the musician to own part of the song.

What about track-writers?

This is where it may get a little tricky.  In the pop world, some producers will provide a musical track with no melody or lyric.  It’s just drums, guitar, whatever.  And that track person/producer will not add any melody or lyric to the song.  They give their track to what is known as a “top-liner.”  This top-liner writes the melody and lyric.

In this case, the producer and top-liner usually share songwriting credit.  However, if the top-liner wrote the lyric and melody FIRST, and then gave it to a producer to build a track, they probably wouldn’t share songwriting credit.  They’d probably just pay the producer for his or her work.

Bottom line: different genres have different norms, but what ultimately matters is what you and your (potential) cowriter decides is fair.

I hope that helps!  If you’d like to ask a pro songwriter your own questions, I have a great opportunity for you.  On Tuesday, October 16, I’m hosting a live, online Q&A session with hit songwriter, Chris Lindsey.  He’s written for Blake Shelton (“Every Time I Hear That Song”), Lonestar (“Amazed”), Tim McGraw, Keith Urban, Carrie Underwood and more.  He also hosts a great podcast for songwriters called “The Pitch List.”

Why don’t you join us for FREE?  That’s right, this event is my gift to you.  Normally, it’s only free for members of Frettie.com, but not this time.  This time, ANYONE can join us.  And Chris and I hope you will!  CLICK HERE FOR ALL THE DETAILS.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens and more. He’s written a top 5 hit in the US, a #1 in Canada, and a top 10 in Texas.  His songs appear on 5 industry-certified gold & platinum albums & singles… so far.  He also hosts a top-rated songwriting and music business podcast called, “The C.L.I.M.B.” which can be found on iTunes or your favorite podcast app.SWP 4

The C.L.I.M.B. Expand Your Brand #16: Instagram- Make Your Friends Jealous

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES…   HERE FOR STITCHER (Android)… & HERE FOR THE WEBSITE

If you want to take your artist game to the next level, this bonus episode is for you!

Instagram is all about the image(s).  These SUPER CREATIVE imaging strategies and apps will help your feed stand out immediately and clarify beyond a reasonable doubt that you are an artist!  Oh, and they are F-U-N as well!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is proud to partner with Disc Makers- who have been supporting indie musicians before indie music was even a thing.

When you’re ready to make CDs, DVDs, vinyl- or distribute your music and videos with customized USBs- www.discmakers.com is the only place you need to go.

And while you’re there, click the “Guides and Resources” tab and download some of their excellent free guides.  They’ve just revised and expanded their Home Studio Handbook, which has got a ton of great advice and information for newbies and studio veterans.

Find them online at www.discmakers.com or give them a call at 800-468-9353.

 

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.