All posts by Brent Baxter

How to stay focused on your songwriting journey.

If you’re a professional songwriter living in Nashville, it’s pretty easy to keep your head in the game. It’s no sweat to keep your goals in mind because it’s in your face every day.

That’s very much NOT the case if you’re working a regular job in another town. Add to that any family obligations you may have, and it can be pretty easy to stop thinking like a songwriter. One day you might look up and realize it’s been two months or more since you’ve really even picked up the pen or guitar.

Yes, there are natural ebbs and flows to the creative life. And, yes, there are times when family needs will limit your writing time (I couldn’t do any co-writing for about 3 months right after Ruby Jean was born and Emily needed me at home every night). Hey, stuff happens.

But overall, you need to keep you head in the songwriting game if you are pursuing it as a profession. You can’t afford to take months off “just because life got busy.” You have to keep thinking like a songwriter. If you don’t, you’ll look up to find 20 years have passed without many songs and music business progress being made. And I don’t want that to happen to you.

Read on if you want to keep focused on your songwriting dream.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

I want you to keep your head in the game.  I want you to keep focused. And two things can help you do that: appointments and subscriptions.

APPOINTMENTS:

Solo Writing:

Nothing will keep you thinking like a songwriter like actually writing. You and your skills get rusty if you don’t “keep the machinery up and running.” Trouble is, it’s easy to skip out on solo writing in the midst of daily life. Try to have a standing appointment with yourself, even if it’s just every other week. Hopefully, you’ll find some other times, too. But if nothing else, you (and your family) know that every other Thursday night is your writing time.

But don’t just schedule it. Actually show up, sit down and do the work!

Cowriting:

Still, it’s easy to not show up for solo writing appointments. So try scheduling regular cowriting appointments. You might let yourself down, but you’ll probably be less likely to bail out on someone else.

Even if you don’t live around many potential cowriters, the internet is a wonderful place to find them. Facebook groups such as the Songwriting Pro Facebook Group and The CLIMB Community are good, non-spammy places to meet potential cowriters. And these days, writers are much more comfortable writing over videoconferencing platforms like Skype and Facetime.

Cowriting keeps your head in the game more than just during that write. You won’t just start thinking about the cowrite as you’re walking in the door of the writer’s room or logging into Skype. You’ll think about it ahead of time. The fact that you have an appointment coming up and a cowriter expecting you to take it seriously will encourage you to spend time gathering ideas, prepping, etc.

Education:

Books, online songwriting courses, and other resources are a great way to keep your dream in front of you. You may be in a season where you don’t have hours of time to sit down and write. Maybe your appointment is just that few minutes you have to read in bed. Well, reading that book (heck, just having it on the nightstand) will keep reminding you that you have a dream to chase.

Books and online classes will also give you tools to write better songs and make progress in the music business. And progress makes you hungry for more progress, so you’ll spend more time thinking and working toward that.

Events:

Workshops and other events can be very beneficial. You may find potential cowriters (and friends) at live events, and you’ll leave fired up and motivated. You’ll also leave wiser and with a few more songwriting tools in your tool belt. Plus, you’ll be in the company (in person or online) of other motivated, inspired and inspiring songwriters. Sometimes you just need to know you’re not alone.

If you’re on the market for a cool community with monthly online events at a super-affordable price, I happen to have one. It’s Frettie.com.

SUBSCRIPTIONS:

Blogs:

Get informed, educated, entertained and inspired- all from your email inbox. I humbly suggest SongwritingPro.com, which you’re reading right now.  Subscribing here will send a few helpful posts directly to your inbox every week. But there are several other good blogs, too.

Podcasts:

If you’re like me, you have more time for listening than you do for reading. And lucky for you, podcasting is exploding. This can turn your daily commute, jog or dog walk into a songwriting and music business workshop and inspiration refill!

There are several good ones, including Bobbycast, And The Writer Is, Made It In Music Podcast, Pitch List, NSAI Coffee Break, Songcraft, and one that I co-host twice a week, “The C.L.I.M.B.” These shows are each a little different, but they all give you a valuable insider’s look at the music business from a songwriter’s perspective.

YouTube:

YouTube is a huge search engine. Just do a search for “songwriting advice from hit songwriters” or something like that. You’ll have more to look at than you know what to do with. I can’t vouch for how accurate or authoritative everything will be. Actually, I can. Some will be GREAT. And some will be junk. But either way, it’ll keep reminding you that YOU are a songwriter.

Magazines:

Check out American Songwriter and Music Row Magazine, among others. Turn the hall bathroom into your own personal “inspiration zone.”

What about you? How do you keep your head in the game?

Also, if you’re looking for an opportunity to get inspired by (and hang out with) some music industry pros, I have a great opportunity for you.  In August, I’m hosting a “Know The Row” event with a special music business pro!

On August 14, you can hang out online and ask YOUR questions to hit music publisher, Scot Sherrod, of Rare Spark Media.  Scot has had his hand in several hit country songs and film/tv placements, and his current roster includes rising country star, Walker Hayes (“You Broke Up With Me” and “Craig.”)

This is YOUR chance to sit down face-to-face (online) with a real-deal music biz professional.

You and I both want to learn what Scot has to share.

Here’s the deal.  You can join us online from anywhere in the world on Tuesday, August 14, 2018 from 7pm-8pm Central time.  And “Know The Row” events are FREE to members of Frettie.com!  (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)

CLICK HERE TO GET ALL THE DETAILS & MEET HIT MUSIC PUBLISHER, SCOT SHERROD.

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #17: “In Pieces Together”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #245

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“Days like today get me dreaming about _______________.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

 

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #124: How to build value in your brand

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE FOR THE C.L.I.M.B. WEBSITE

The Louisville Crashers are Louisville’s biggest and highest paid band.  But how did they do it?  In this interview, Mark Maxwell of The Louisville Crashers reveals how they upped their prices, held out for what they knew they were worth, then went out and proved it.

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Your song’s title is like a movie trailer. Does it make anyone want to watch?

Songs are like mini movies. And your song’s title is the trailer for the movie. If a movie has a boring trailer and no star-power, people won’t be lining up around the block to see it. And if your song has a boring title, the music industry won’t be lining up to listen to it.

Sure, you might still pay to see a movie with a bad trailer- if it stars one of your favorite actors. You’ll give the movie a shot if it has The Rock or Brad Pitt in it. After all, you know you like those guys, and they’ve earned your trust.

In the same way, fans will give a song with a boring title a listen if one of their favorite singers is singing it. You can probably think of a few “boring-title” songs you like from major artists. But there’s the bad news for you…

YOUR song is NOT starring Brad Pitt or The Rock.

If you want more people to listen to your songs, read on.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

It isn’t sung by a major artist YET. And unless you or your cowriter is a star songwriter like Tom Douglas or Shane McAnally, it’s just a demo without any star-power.

Here’s the thing. You haven’t earned the benefit of the doubt from publishers and producers. They don’t know you, so they aren’t impressed by your name. So they better have some reason to pick your song out of the too-many-to-listen-to stack in their inbox or on their desk.

Your song’s “trailer” better be compelling.

A movie might be great, with a great story, great acting and a lot of plot twists. But if the trailer makes it look boring or predictable, we may not feel a need to ever see the movie. We might just assume it’s a retread of a hundred other movies we’ve already seen. We won’t know how great it really is.

Likewise, your song might be sonically hooky and amazing, but if the title is a worn-out cliche’ like “I Love You” or “You Broke My Heart Again,” music industry professionals will assume it’s a boring, predictable, cliche’ song. They’ll assume that listening is a waste of time, and they’ll bump it back to the bottom of the stack. And they’ll probably never get to the bottom of the stack.

Write more interesting titles if you want more people to hear your songs.

And this doesn’t just apply to music industry pros. If you share your songs in a Facebook group like the one Songwriting Pro has (link here), other writers are more likely to listen if the title is interesting.

After all, aren’t YOU drawn to intriguing titles? Don’t certain titles make YOU want to listen to the song? Are YOU more likely to click on an interesting song title or a cliche’, boring one?

If you want to write better titles, better songs, and earn the attention of more listeners, I have a great opportunity for you.

In the month of July, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

The C.L.I.M.B. Expand Your Brand #9: Super Engaging Content

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES…   HERE FOR STITCHER (Android)… & HERE FOR THE C.L.I.M.B. WEBSITE

If you want to take your artist game to the next level, this bonus episode is for you!

Have you ever wondered why some social media content you post is dead on arrival and some get a ton of likes and comments?  This minis ode will share 5 different kinds of content that are sure to blow up your engagement.

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #244

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“You must think my heart is a _______________.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

 

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #123: Write the video before you write the song!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE FOR THE C.L.I.M.B. WEBSITE

Want to write a hit song?  Then you’re in the right place!  On this week’s episode, Johnny and I reveal how writing the video to your song BEFORE you actually write the song can give you a major advantage.

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Are you killing your song’s emotional power with 1 of these 7 mistakes?

Are you having a hard time getting your songs to resonate with your listeners emotionally?

You can tell they’re hearing you, maybe even giving you their full attention, but you can tell their hearts aren’t in it.

If your listeners aren’t crying at your sad songs or getting all dreamy-eyed at your love songs or pumping their fists in the air during your rebel songs, you’re probably making at least one of the following seven mistakes.

But there’s good news- if you can identify these mistakes, you can fix ‘em!

If you want to avoid these mistakes, read on.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Here the 7 mistakes, in all their emotion-killing glory.

1.  Your song has too many characters.

If your song has too many characters, your listener won’t have enough time to get to know them or care about them. You, your girl, your ex, your best friend, her BFF, her ex, her mom… I’m lost.  And now I don’t care.

2. Your song has too much story.

Songs can tell amazing stories, but you have to keep them simple enough that the facts don’t crowd out the emotion. Too much story will turn you into a bland reporter, busily relaying facts just so the listener gets from point A to point B. “This happened then that happened. Two years later in a different town, this other thing happened.” Give enough space in your story for the emotion to come through.

3. Your song is too cliche’.

If your song is just a regurgitation of the same old stories told with the same old rhymes and cliched phrases, stuck in the same old melody… why would the listener get excited or moved? It’s like telling the same joke with the same punchline with the same delivery to a crowd that’s already heard it a hundred times. Don’t expect a big laugh. It’s just not going to happen.

4. Your song is too “inside.”

It’s great for a song to be very personal to you. But if you write it in a way that only you understand it, your audience will not be moved. You might know what you’re talking about, but if there’s not enough there for a listener to engage with and latch onto, they’ll just be frustrated, lost, or bored. Let the listener in on your inside joke!

5. Your song tells but doesn’t show.

Don’t just tell the listener you’re sad and expect them to be sad. Even if you show them tears in your eyes, don’t expect them to cry any of their own. Paint a picture of what made you so sad, and it’ll give the listener context and maybe something to relate to. And then they may be reaching for their own Kleenexes.

6. Your song’s melody doesn’t support its emotion.

If your song is supposed to be angry or resentful, but your melody, production, etc. is smooth and poppy… I’m not buying it (literally or figuratively). If your singer is singing about regret and heartache, but the melody feels like happy good times, I’m not buying it. It’s like mumbling a half-hearted, “I love you” or yelling “I’m sorry! Will you forgive me!?!?!?!” in an angry tone of voice. Or when a woman says, “nothing’s wrong, I’m FINE, okay?” in a tone of voice that tells you the opposite. You’re sending mixed emotional signals that cancel each other out or confuse the listener.

7. Your song idea is not emotional enough.

Is your song too “head” and not enough “heart?” Is your topic too trivial or just an interesting (but un-emotional) thought? You can write a song about how the square root of 49 is 7. That’s fine. But don’t expect anyone to laugh or cry when they hear it. Unless they REALLY hate math. So… me in 7th grade. Yep, 7th grade me would cry about a square root song, but that’s not a real big market.

If your songs don’t connect emotionally with the listener, the listener won’t connect financially with you. The heart is connected to the wallet.

Knowing simple things like this is how you write stronger, more commercial songs.  And if that’s what you’re after, I have a great opportunity for you.

In the month of July 2019, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #16: Super Model

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.