All posts by Brent Baxter

Wordplay Thursday #243

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“Somebody stole my _______________.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

 

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #122: Are You Lying To Yourself?

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE FOR THE C.L.I.M.B. WEBSITE

On this week’s episode, Johnny and I give you a real gut-check.  Are you lying to yourself about what you REALLY want?  Do you say you want artist or songwriter success, but your calendar and bank account say otherwise?

 Maybe you don’t really want what you say you want.

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

 

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Here’s how to be a happier, more successful songwriter.

I hate to tell you, but nobody really reaches songwriting success.  But you can experience it.

Sure, certain songwriters might get a song recorded.  Maybe they even get a bunch of songs recorded.  Maybe a few of them become hits.  But do they ever reach “songwriting success?” I don’t think they do.  I don’t think anybody does.

But this doesn’t mean you should quit writing.  It means you should keep on writing!

If you want to be a happier, more successful songwriter, read on. ________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Here’s the deal.  I don’t think songwriting success is a destination.  I believe it’s the journey itself.

Here’s the thing about a journey: it has movement.  You don’t sit still.   You move. You make progress.  Sure, sometimes you might slide back down the hill, get lost, or take the long way around. But that’s all part of the journey.  And it’s okay.

Ever get stuck in bad traffic?  I’m one of those guys that would rather take a detour that I KNOW is a few minutes or miles longer just because I’d rather be moving than sitting still.  Why?  Because…

The “success” we experience as part of the journey is just that- a part of the journey.  It’s not a destination.  Cuts, hits, whatever… they’re evidence of success, but they aren’t success all by themselves.

Writing better songs is success.  Forging new, stronger relationships is success.  Cuts and hits are outward signs that sometimes mark our journey, but they aren’t success.  They are evidence of progress, and progress is success.

That is why the most successful writers keep working so hard.  They don’t just get that first #1 hit and coast.  Surely, they’ve reached success, right?  If so, why do they keep working so hard, day in and day out? Because it’s progress (success) to write a new song that they love.  It’s progress (success) to write a better song than the last one.  It’s progress (success) to build their catalog and discography.  It’s progress (success) to climb the cowriting ladder.

Humans are wired to be happier when we’re making progress.

True story: my 1st year in Nashville was probably happier than my 5th.  Why?  Because my 1st year was full of progress!  When you start with almost nothing, almost everything is progress.  Every song was a step forward.  Every new cowriter was a big deal.  Every time a publisher heard one of my songs, it was a huge win (even when they passed).

The first time a major artist (Tim McGraw) heard one of my songs, it was an amazing, fist-pumping, made-my-month event.  And he passed on my song!  So why was it such a big deal?  Because it was progress.  A major artist had NEVER heard one of my songs before. But that day, one did.  That was unbelievably exciting.

By my 5th year in Nashville, a top 5 hit was behind me, and I was in my 3rd year of a publishing deal.  I was trying to climb back up “Hit Mountain.”  I was writing every day and not doing the day job I had in that 1st year.  And my songs were better, no doubt.  I was getting some holds, and a little activity.  But was I happier?  I don’t really think so.

Don’t get me wrong, it was still great.  But I wasn’t making as much progress as I did that first year, and those smaller gains were harder to make, so it wasn’t quite as exciting.

Want to be happier with your songwriting?  Make progress.

Learn some new chords.  Learn a new songwriting technique.  Reach out to a new cowriter.  Dig deeper and write your best song yet.  Develop a songwriting calendar where you set appointments with yourself and start to feel like a professional (even if you don’t have the awards yet).

Let yourself feel the excitement that comes with progress.

Don’t ignore it or feel that it’s beneath you.  Don’t hold off celebrating until you get that #1 or whatever you’ve defined as success.

Keep making progress.  That IS success.

Sometimes cuts and recognition flow from it.  But sometimes, cuts don’t happen.  You can’t really control that.  But you can control whether or not you’re becoming a better songwriter.  You CAN control whether or not you make progress.

I want YOU to experience a successful songwriting journey, so I want to help you make progress.

In the month of July, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Congrats To Our June 2018 “Play For A Publisher” Winners!

Congratulations to our newest “Play For Publisher” Top Ten songs and songwriters!

First of all, thank you to each of you who took a chance, took positive action, and submitted one or more songs to the “Play For Publisher” event with Tim Hunze of Parallel Music.  Ya’ll are just plain awesome.

Out of over 230 songs, it took a while to whittle it down to just 10.  We have country songs, pop songs, cowrites & solo-written songs!

There were a lot of worthy songs sent in, and I felt bad about leaving so many out.  If your song wasn’t chosen this time doesn’t mean that it isn’t a good song.

You know, one time I turned a song in to my publisher, and they didn’t know what to do with it, so they didn’t want to do anything with it.  My cowriters wanted to demo it, and the publisher said they wouldn’t pay for a demo.

The song was called, “Crickets,” and we got it cut by Joe Nichols.  It’s the title track to one of his recent albums.

joe-nichols-crickets

That’s right.  The song my publisher wouldn’t even pay to demo got cut anyway.  (My cowriters did an out-of-pocket guitar/vocal, and we pitched it ourselves.)

Welcome to Nashville.  So while I listened to each and every song and did my best to pick the ones that have the best chance of catching Tim’s ear… I could be wrong.  That’s just the way the music biz works.  So if your song wasn’t selected, it doesn’t mean you should give up on it.

Okay, here are the Top Ten (in no particular order):

“Surprised” by Kay Williams Mott, Katherine Portanova

“Fences” by Eric Mallon

“The Boy That Once Was Me” by Sam Speirs

“She’s Gonna Leave A Mark” by Jeff Roe, Matt Rogers

“Three-Star Hotel Room” by Curtis Cameron

“Stars In The City” by Cody Coggins, Cheryl Jividen

“All About The Party” by Jonathan Helfand, Conner Sweet

“Hey, LA” by David Michael, Daniel Leathersich

“Picture Frame” by Josh Kiser

“Beat Down” by Troy Werner

(The Songwriting Pro community would LOVE to hear your songs, so if you have a link you’d like to post to your “Top 10” song, please post it in the comments below!)

Congratulations!  Tim and I look forward to hanging out with you on June 19.  (In the days before the event, I’ll email the winners the instructions about the online meeting.)

Like I said, the 10 songs above aren’t the only good ones I had the pleasure of hearing.  There are several more that were put “on hold” for the top 10 songs.  This list could be quite a bit longer, but I’d like to spotlight a few of them, too.  (Ya’ll feel free to link up your songs in the comments, too!)

“ON HOLD” songs…

“Nice Tall Glass”  by Marla Rubenstein, Tucker Bouler, Betsy Walter, John Cirillo, Dan  Reifsnyder

“Just An Old Tattoo” by Richard Rende, Jacob Morris

“It’s Goin’ Fast Enough” by Marla Rubinstein, Kelly McGrath, Brad McKinney, 

“Stars” by William Underwood

“Furniture” by John Watts

“LA” by Brendan Roberson

“Ammunition” by Tiffany Williams

“Nowhere Bar” by Dan Harrison, Andrew Capra

“I Thank God For Your First” by Jonathan Helfand, Joey Ebach

“Life Behind Bars” by David Micheal, Ross Cooper

These songs, along with others, were in there battling it out with the top 10, so be encouraged!

If you want to become a songwriting pro (in how you think, write songs or do business), then a great place to start is RIGHT HERE.  I want to help you on your songwriting journey.  I’ve been in the music business for years, and I’m here to help you get the cuts – and avoid the bruises.  CLICK HERE TO START HERE.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.SWP 4

The C.L.I.M.B. Expand Your Brand #8: Content Consistency Hacks

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES…   HERE FOR STITCHER (Android)… & HERE FOR THE C.L.I.M.B. WEBSITE

Do you ever feel stuck when you’re creating social media content?  Do you ever feel uninspired?

Here are 5 hacks that will help you post consistent content on your social media platforms (#5 is a LIFESAVER!).

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #242

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“_______________ never leaves me lonely.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

 

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #121: Building A Hit with Blake Shelton’s “I Lived It”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) –  HERE FOR THE C.L.I.M.B. WEBSITE

Want to write a hit song?  Then you’re in the right place!  On this week’s episode, Johnny and I reveal a few of the pro songwriting techniques that went into the song “I Lived It” and made it into a big hit for country superstar, Blake Shelton.

If you want the world to hear your music, you wanna hear this.  The link to listen is above and below.

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Building A Hit: Blake Shelton & “I Lived It”

Blake Shelton’s current single, “I Lived It,” is living it up on the country singles chart. Today, let’s take a look at some of the ways the songwriters built this song to be a Blake hit.

Great songs don’t happen by accident- they’re a series of wise choices.  And the songwriters (Ashley Gorley, Ben Hayslip, Rhett Akins and Ross Copperman) made some great choices when building “I Lived It.” Now, I wasn’t in the room with them, so I can only speculate at the thought process behind the end results. But as a professional songwriter myself, I can take an experienced and educated guess.

If you want to write hits, too… read on!

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

1. Stick to the brand.

Overall, this song is built to fit Blakes’s brand of country. The lyric is really country, and the song is about what it’s like to grow up… country.  Really country.  This subject matter fits nicely beside other songs he’s cut, like “Green,” “Boys ‘Round Here” and “Hey.”  The phrasing and production are also a little more traditional than progressive, which also (generally) fit’s Blake’s brand.

 2. Show, don’t tell.

There are a lot of images in the song, and it puts us in those moments. Right in the first line, we see a guy driving a flatbed Ford.  Then we see flies and a hole in a screen door.  Blake’s not just saying he grew up country, he’s showing us what growing up country looks, feels, sounds and tastes like.

These fresh, vivid images help the song stand apart from all the other, vague “I grew up country” songs that no doubt get pitched to Blake for every album.  Not only that, but it helps to…

3. Give the listener a reason to connect.

How many people can relate to growing up this way?  A lot of us remember mama pouring bacon grease in a can, sitting in front of a box fan, and so many more things in this lyric.  It pushes the nostalgia button for many, many listeners.

For example, if it’s been years since you’ve thought about how cool it was to get your hands on a two dollar bill, that line sets off a “nostalgia bomb” in your brain.  And nostalgia is a great way to connect to the listener’s emotions and get them to invest in your song.  It’s not the only way, but it sure is a powerful one.

4. Keep it moving.

Writing a sentimental, nostalgic song might lead some writers to write a slow ballad.  But not these hit songwriters.  They know that their chances of getting a cut go up as they add some tempo, groove or energy to the song.  So that’s what they did.

The song is by no means an uptempo rocker. But they put about as much tempo on it is as they could without breaking the sentimental, nostalgic vibe of the song.

Okay, those are four areas in which Ashley Gorley, Ben Hayslip, Rhett Akins and Ross Copperman built “I Lived It” to be a hit song. Of course, those aren’t the only elements that make “I Lived It” a hit, but they’re four important ones. If YOU want to discover even more of the elements of building a hit song, I have an awesome opportunity for you.

In the month of July, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #15: “Skip The Rocks”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Wordplay Thursday #241

Welcome to Wordplay Thursday!

Here’s a fill-in-the-blank to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  It can be serious or silly.  Whatever gets you going!

“I see _________ in your eyes and __________ in your heart.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

 

God Bless and Enjoy the Journey,

Brent