All posts by Brent Baxter

Wordplay Thursday #220

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“The battle lines are drawn on her face…”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #99: The Value Of Writer/Producer Relationships

The music business, like every other business, is largely about relationships.  In this episode, Brent shares the value of building good relationships with writer/producers- and how they can help YOU on your C.L.I.M.B.!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

7 Ways Songwriters Can Stay Motivated

Whether you’re an amateur songwriter hoping to “go pro” or you’re a young pro trying to break through to the next level, a key element of success is simply to keep going.  But that isn’t always easy.

For every person pulling a U-Haul into Nashville, there’s someone moving back home because they just don’t have the heart anymore.  So, how do you give yourself the best chance to keep going?  Here are a few ways.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

1. Connect with your “why.”

If you don’t have a clear understanding of WHY you write, it’s really hard to answer the dark-valley question, “Why should I keep trying?”  When the music biz knocks you down (and it will), you need to know why getting up matters.  Maybe not why it matters to the world, but at least why it matters to YOU.

Maybe you write because you know that’s how you’re wired, and you’ll go crazy if you abandon it.  Maybe you write to leave a legacy of song for your children’s children.  Maybe you write to share life lessons- to remind yourself as well as others of hard-earned truth.  Maybe it’s to prove to yourself that you can do it.  Or maybe you write to make people smile for three minutes in an often heartbreaking world.

Whatever drives you to write, you should have a clear picture of it.  The “why” is what will give you a reason to dust yourself off and get back in the arena.

2. Celebrate the small victories.

Don’t ignore or downplay the small victories- especially early in your journey.  Be grateful.  Let the little victories give you confidence and fuel for the journey.

These are YOUR victories.  They don’t have to meet anyone else’s standards of what’s worth celebrating.

For a few years, some buddies and I passed around a football- a “game ball” – when we’d have a music victory.  It got passed around for everything from indie cuts, publishing deals, big cowrites, 1st demo sessions, and more.  Those weren’t the victories that the biggest writers in town were probably celebrating, but they were new, positive steps for us.  It gave us a reason to celebrate together.  We also had a friendly rivalry going, because each of us wanted to “get the game ball” back on our own mantles!

3. Connect with a supportive community.

We all need people who encourage, support, and believe in us.  They can be online or face-to-face, family or friends, cowriters or non-songwriting creatives.  It doesn’t matter who they are, just that they will support you.  And be sure and support them, too!

If you’re looking for a supportive community, I suggest the Songwriting Pro Facebook Group and Frettie.com.  I host both groups, and I love watching songwriters like you making progress and earning new victories on your songwriting journeys.

4. Display visual reminders.

Remind yourself that you’re a songwriter.  Remind yourself of your dreams and goals.  Remind yourself of your victories.  Create a vision board with pictures of your songwriting-dream-come-true.

Get a good song review from a community like Frettie.com?  Print it out and hang in your writing space!  Score an indie cut?  Congrats!  It doesn’t matter if it goes gold, platinum or plywood- get a CD frame and hang it up to remind yourself that someone likes one of your songs enough to record it.

Also, keep your guitar and/or writing notebook out where they’re visible – and available.  Don’t keep them hidden in a closet or a drawer somewhere.  You’re a writer.  Don’t let yourself forget that.

5. Pace yourself.

This is a marathon, not a sprint.  Be persistent, but be patient.  You have to find a family/money/music balance that is sustainable over the course of years, not just months.

It might mean you can’t quit your day job just yet.  Maybe you can only write one night a week for now.  Sure, we all want instant gratification, but patience pays off.

Be patient.

6. Protect a positive attitude.

To stay in it for the long haul, you have to believe success is possible, and a lot of belief simply comes from your mind-set.

Seeing the glass as half-empty will cause your dreams to die of thirst.

Watch what comes out of your mouth.  Not only does what you say reflect what’s in your heart, it reinforces it.  Practice speaking positively- strengthen that part of yourself.

Had a bad publisher meeting?  Don’t focus on the disappointment.  Focus on what you were able to learn from that meeting (even if all you learned is that you have more to learn).  Get a song to an artist, but they didn’t record it?  Focus on the fact that you were able to actually get a song heard!  I bet that wasn’t always the case.  So you’ve made progress!

7. Make a new connection.

Yes, we’d all love to suddenly become best buddies with <insert your favorite artist or songwriter>.  But that’s probably not going to happen today or tomorrow.  But who CAN you reach out to?  Where can you become a blip on someone’s radar and begin to build a relationship?

The music business is based on both music AND relationships.  Sometimes when then music isn’t working like we’d hope, we can keep some forward progress by focusing on relationship-building.  “Well, Publisher X didn’t love my song, but I got to meet Hit Writer Z this week!”

And you know I don’t like to throw out suggestions without providing an opportunity to put them into practice.  So I have a really great opportunity coming up for you!

In February, I’m hosting Frettie’s “Know The Row” with hit songwriter, Byron Hill!  This is your chance to sit down face-to-face (online) with a real-deal professional songwriter. Since moving to Nashville and signing his first publishing deal in 1978, Byron’s songs have generated more than 700 recordings, and have been released on ninety-one industry certified Gold and Platinum albums and singles!  Wow.

You and I BOTH want to learn what Byron has to share.

Here’s the deal.  You can join us online from anywhere in the world on Thursday, February 8, 2018 from 7pm-8pm Central time.  And this special event is FREE to members of Frettie.com!  (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)

CLICK HERE TO GET ALL THE DETAILS & MEET HIT SONGWRITER BYRON HILL.

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #3: “Baby Blue Lies”

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me!  Then I have to figure out on the fly how to make it a hit!

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Wordplay Thursday #219

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“Christmas is over…”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #98: Separate The Emotion From The Event

Why is it that you have no emotional concerns with any kind of failure at your day gig, but you’re paralyzed with fear of failure in your artist career?  Let’s dive in and and get you moving past fear and into success!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Bring One Of These To Your Next Cowrite (Or You’ll Be Sorry)

Let me tell you a tale of two cowrites, both from my early “pro” days. First… the bad cowrite.  It was a nightmare…

I was signed with Major Bob Music at the time, and “Monday Morning Church” had recently been a top 5 country hit for Alan Jackson.  But in spite of having a publishing deal and a hit under my belt, I was still pretty much a newbie trying to figure things out.  (I still feel that way to be honest.)  Anyway, Major Bob hooked me up to cowrite with a legit hit songwriter.  This guy had many cuts and hits to his credit, and I was honored to get in a room with him.

We met at his publishing company on Music Row.  After a little chit chat, he got that familiar look on his face.

“So… got any ideas?”  No.  Not really.

I mean, I had a bunch of hooks and some ideas, but nothing great.  Nothing I was busting a gut to write.  And I apparently didn’t have anything that impressed him, either.  After I threw out several “shoulder-shruggers,” he said, “Man, we need an idea like ‘Monday Morning Church.'”  Too bad.  I must have left my stack of “Monday Morning Church” ideas at home that morning.

We chatted some more, eventually moving out to the porch where he smoked a cigarette and I watched my hopes of making a good impression going up in smoke.  We called it a day.  I call it a failure of preparation on my part.  We’ve never written again.  For me, I was embarrassed and in no hurry to risk wasting his time again.

Now for the good cowrite.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book _________________________________

I met Byron Hill at Chad Green’s ASCAP Country Workshop.  And, if I remember correctly, Carla Wallace at Big Yellow Dog Music also helped connect us.  We got a cowrite on the books, and I was pumped.  Byron has written a bunch of hits including, “Fool Hearted Memory” for George Strait, “Born Country” for Alabama, “Politics Religion & Her” for Sammy Kershaw and many, many more.

This time, I did my homework.  I pulled together several ideas and lyrics that I thought he’d like.  I really wanted to make a good impression on him. When Byron asked, “So… got any ideas?” I was ready.  He loved a lyric sketch I brought in called, “Ring On The Bar,” and we were off to the races.

This first cowrite led to some success and more opportunity.  While “Ring On The Bar” hasn’t been a big hit yet, it’s been recorded by John Pierce (RCA), James Dupre’ (The Voice), and has been on hold by several artists, including Brad Paisley.

But the big thing is that Byron and I went on to write several more songs together, including the 2014 Canadian Country Music Awards Single Of The Year (and my first #1) “When Your Lips Are So Close” with artist, Gord Bamford.

Good thing I showed up with a good idea on that first day, huh?

And that brings me to the point of these two stories.  I believe that a strong idea is the most valuable thing you can bring to a cowrite (other than Tom Douglas).  “Well,” you might say, “how come these big-time songwriters didn’t throw out any of THEIR ideas?”  Here’s why:

A great idea is sometimes the only thing a newer songwriter has to offer a seasoned pro.

Let’s face it, if you get to write with an established pro songwriter, what do THEY need from YOU?

new songwriter offer pro

They have a more valuable name in the business.  They have more connections.  They most likely bring a higher level of songwriting skill.  The only thing they need is a fresh, cool idea or melody.  Unless you’re swinging around a big fat record deal, your job is to bring in the idea or the start of a song.

If the pro has a great idea, he surely has several proven, established cowriters or artists who could write it with him.  Why risk giving 50% of HIS idea to a songwriter who might not contribute very much?

Let me tell you, it’s more fun (and profitable) when you have a strong answer for “got any ideas?” – and I want you to be prepared when that question comes your way.  And that question doesn’t need a good answer ONLY if you get a pro cowrite.  That question comes up in EVERY cowrite.  Every time you step into the writing room, you have the opportunity to blow away your cowriter with a great nugget or idea.

Feeling like I have a stack of strong ideas allows me to walk into any cowrite with confidence.  We might not always write my idea, but I came prepared… and my cowriter knows it and appreciates it.

I want YOU to have that confidence – and those results, too.  I want your cowriters to be glad they showed up to write with you.  But I DON’T want you to have to go through years of trial, error and the occasional embarrassing cowrite like I did!

That’s why, in the month of January, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal: How to find great song ideas. Kill writers block and fill up that blank page again and again.  Always have an answer for, “So… got any ideas?” How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing. How to frame your ideas for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it. How to finish your song. Stop leaving your best ideas unfinished! Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, get on the radio, or change your life.  Stop leaving your success to gather dust, unfinished, in some old notebook. If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay- THE DEADLINE TO RESERVE YOUR SPOT IS THIS SATURDAY!

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.  THE DEADLINE TO RESERVE YOUR SPOT IS SATURDAY, DECEMBER 30!

God Bless and Enjoy the Journey,

Brent Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far. SWP 4

Wordplay Thursday #218

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“Right now you love my gypsy boots

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #97: Building A Hit with Luke Bryan & “Light It Up”

 

How did Luke Bryan build “Light It Up” to be a big hit?  What are some of the songwriting choices he and Brad Tursi (of Old Dominion) made that’s helping it connect with fans while climbing the charts?

On today’s episode, I pull back the curtain on hit songwriting and share lessons that can help YOU build a hit of your own.

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Song Title Challenge #2: “Growing Wild”

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me!  Then I have to figure out on the fly how to make it a hit!

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership, and you’re free to use any ideas I throw out.

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.