Ever been trapped in “2nd Verse Hell?”

“2nd Verse Hell” is that lovely place you reach at the end of the first verse and chorus where you stare at the page for an hour, pulling out your hair and trying to figure out what to say next. I’ve been there, and it’s not fun.

Here’s a tactic that can help you beat 2nd verse hell.

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

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Sometimes the solution to 2nd Verse Hell isn’t what happens NEXT. Sometimes, the solution is what happened BEFORE.

Think of each section of your lyric, or even each thought, as a single playing card in a deck.

Shuffle the deck.

• Take what you thought was your 1st verse and move it to the 2nd verse. Now what needs to be said in the 1st verse?
• Maybe verse two is really the chorus and the chorus is really verse two.
• Maybe you told too much in the 1st verse and you need to play some of those cards in the 2nd verse instead.
• What happens if you make your chorus the 1st verse?  Or 2nd verse?
• What if the last line (or thought) of verse one is really the 1st line of verse two?

Don’t be afraid to shuffle the deck several times. If you don’t like the result, you can always put the cards back in their original order. Go ahead. Give it a try.

Shuffling the deck just might change a losing hand into a winning one.

Having a song you can’t figure out how to finish just feels awful, doesn’t it?  I want YOU to have a winning hand with every song.  I want you to have the songwriting skill to find, focus and finish more of your song ideas. 

And by the way, becoming known for consistently finishing your songs (and finishing strong) will help you attract more and better cowriters.  Finish more songs = attract more cowriters.  That’s a win-win.

And I want to help you win.

That’s why I’m hosting a transformative online songwriting event in January called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your ideas for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished! Nobody loves a song they never hear, and a song that’s only 99% finished will NEVER get recorded, get on the radio, or change your life.  Don’t let that happen to you.  Don’t leave your future unfinished in some old notebook somewhere.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Ever turn on the radio, get mad and think, “Well, my songs are just as good as THAT!  Why aren’t MINE getting cut???”

Raise your hand if you’ve been there.  Yep.  Me, too.  And you might actually be writing songs that are, in fact, just as good as a few of the ones on the radio.

But “just as good” isn’t good enough.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Unless you’re already one of the cool kids on Music Row with a track record and a strong network, being “just as good” equals “just as good as invisible.”  It’s not enough to get you noticed or to get your song on the radio.

If your songs are just as good as a pro’s, expect the pro writer to get the cut.

After all, the pro has paid his (or her) dues, written a lot of really good songs, has industry contacts and might be writing with the artist or producer.  If anyone’s going to get their mediocre song recorded, it’s them, not you.  It might not seem fair, but a songwriter in that position has earned it.

Your songs have to be better. Period.

Not only do your songs have to cut through all the clutter of “bad” songs, they have to leapfrog all the “good” songs and be so good they land in the stack of “great” songs.

Sure, vanilla songs will get cut, but yours probably won’t.  As an outside songwriter (one without strong industry connections), you’re up against songwriters who DO have those connections.  Basically, your song has to be so good or so right for the artist that they pick yours INSTEAD of their buddy’s (or even their own song).

Write songs so good they can’t be ignored.

So… how do you actually do that?  The shortest answer is just to “dig deeper.”  (Have you ever heard that in a song meeting?  I have.  And it used to drive me NUTS.)

Thankfully, I don’t hear that these days.  Why?  Well… I’ve learned to DIG DEEPER!

I’m a lyricist, so I’ve found my advantage in finding and developing ideas.  Find an interesting title.  Then find a compelling, fresh angle to that idea.  Then develop the idea into something that makes sense commercially.  Then finish strong.  Sounds simple.  But it takes hard work and dedication to the craft of songwriting.

However, becoming known for consistently bringing in strong ideas – and knowing what to do with them – will help you attract great cowriters and maybe even land some great cuts.

I want to help you find, develop & finish great song ideas.

A great idea is one of the best ways to get other songwriters to not only notice you, but to tell their friends about you. If you can make another songwriter say, “I wish I’d thought of that!” they’ll remember you.  And if they remember you, it’ll speed up your success in the music biz.

I want you to be memorable.

If YOU want you and your songs to be memorable (in a good way), I have an awesome opportunity for you.

In the month of January, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your ideas for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished! Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, get on the radio, or change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.