All posts by Brent Baxter

Wordplay Thursday #209

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“I know they’re waiting on me

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #87: STOP Ruining Your Love Life With Songwriting!

Are you choosing love songs over… love?  Are you cheating on your spouse or significant other with your music?  It sounds silly, but the consequences sure aren’t.  In this episode, Johnny and I discuss the danger of letting your priorities get out of whack, and we try to help YOU learn from OUR mistakes and heartaches!

Plus, check out this week’s Song Title Challenge!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Change Your Songwriting Story To Have More Success

Songwriters are storytellers.  We love to tell our listeners about the world as we see it- what makes us laugh, what makes us cry, what we believe in, etc.  But the most important story you will ever tell as a songwriter… is the story you tell YOURSELF.

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

The story we choose to tell ourselves will have a huge impact on our growth, creativity and success as songwriters.  I know they have in my career.

I figured out early in my songwriting that I wasn’t any good at writing melodies.  I’ve never been a good singer, and melodies are frustrating.  But the words?  Words have always been my thing.  I’ve always loved playing with them- and I have a knack for it.  Along with this realization of my strengths and weaknesses came a choice.

What story will I tell myself- about myself?

Will I tell myself that I’m “only half a songwriter?”  That I’m “not a real songwriter?”  Will I tell myself it’s not fair that life didn’t hand me all the talents I’d like to have?  Will I tell myself that no “real” songwriter would want to write with “just a lyricist?”

As you can probably guess, that’s NOT the story I told myself.  I told myself, “I’m a lyricist.  I’m  a specialist.”  I told myself myself that country music loves great lyrics – so I do something valuable.  I told myself I don’t have to be great at everything.  I told myself that as long as I’m great at one thing, I’d have a seat at the table.

This self-story has made an incredible difference.

It has allowed me to act from a position of confidence instead of doubt.  Instead of approaching potential cowriters almost apologetically like “I’m sorry, but will you please write with me?  I’m only a lyricist,” I could look them in the eye without shame and say, “I’m a lyricist, and I have some ideas I think you’re gonna love.”

What story do you tell yourself?

Do you tell yourself that it doesn’t matter how good your songs are because “you gotta know somebody?” Or do you say “I’m GOING to make it- and the better my songs are, the easier it’s going to be to get to know somebody?”

Do you tell yourself that publishers are stupid for not liking your songs?  Or do you tell yourself that publishers NEED great songs and you just have to write better ones?

Is your story that you were born in the wrong PLACE to be a songwriter because you’re hundreds of miles from New York, LA or Nashville?  Or is your story that you were born at a great TIME to be a songwriter because you can use the internet to connect with the music business from anywhere in the world?

The story you CHOOSE to tell will either help or hurt your chances for success.

Is your story “you gotta be lucky to make it, so it doesn’t matter how hard I work?”  Or is your story “luck loves songwriters that are serious and work hard, so I’m gonna work harder?”

Your story matters.

It’s time to do a check up from your neck up.  Be honest with yourself about your story.  Are your stories helping you or holding you back?

Does your story tell you why you CAN, or does it tell you why you CAN’T?

Listen, I’m not into fru-fru ya-ya mumbo jumbo.  I don’t believe success is attracted to me just because I tell myself I’ll be successful. No, if I believe I’ll be successful, I’m more willing to put in the work and take the chances that make success more likely.  My story doesn’t change the universe.  My story changes me.

If your story is that music publishers don’t know what good music is so they won’t like your music, you know what will probably happen?  You’ll probably play songs for one or two publishers – just enough to prove yourself “right” – and then just quit calling publishers.

However, if your story after one or two rejections is that you just haven’t found the right publisher yet, you’ll keep trying.  And that alone increases your odds of success.  Or if your story is that you just need to write better songs, you’ll stay in the game, writing, getting better, and building publisher relationships.  And then you might just get that big hit.

And THAT will be a great story.

If you’d like to sit down with me (online from anywhere in the world), I have some coaching slots available.  This is your chance to ask me YOUR questions, work on your songs, etc.  Basically, it’s my time to serve you however I can, on a comfortable one-to-one basis.

You can learn more or sign up for a helpful coaching session HERE.

God Bless and Enjoy the Journey,

Brent

_______________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________
Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far. SWP 4

Wordplay Thursday #208

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“It must be true, I saw it on the news

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #86: Cash Me Outside Girl

Why did Danielle Bregoli, aka Bhad Bhabie, aka Cash Me Outside Gil, get a huge record deal with Atlantic Records?  She’s 14, and she’s only known for being an unruly teen daughter on Dr. Phil- and now she has a record deal.  You’re a real artist, but you DON’T have a record deal… so, what gives?

Plus, check out this week’s Social Tune-up!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Route 91 Harvest Festival: Tragedy and Hope

I just woke up and saw the news about the shooting at the Route 91 Harvest music festival.  My heart hurts for everyone involved.

I hope each of you in the Songwriting Pro community and your loved ones are safe.  I hope you will join me in praying for healing for all the injured- for those hurt both physically and emotionally.

These types of events are becoming all too common around the world these days.  It’s frightening and saddening.

I’ve decided not to share a songwriting post today.  That just seems small and unimportant.  Instead, I’ve decided to share something more valuable.  Infinitely more valuable. Life is short and unpredictable, but there is good news.  This world is broken, but it won’t stay that way.

 

CLICK HERE TO READ ABOUT OUR HOPE.

God Bless,

Brent
SWP 4

Wordplay Thursday #207

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song.  It could be the first line of your song, or not.  Feel free to change the line up some.  Whatever gets you going!

“That drink hit him (or her) hard, but not as hard as

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent

The C.L.I.M.B. #85: Why It Pays To Be Terrible

I’m a bad guitar player… I sing like a horse… and staying that way has helped me become a successful songwriter.  Yep.  If you think you have to be great at everything to be a “real songwriter,” this episode will take a lot of that pressure off.

Plus, check out this week’s Song Title Challenge!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Stop Calling Your Own Songs “Great!”

Stop calling your own songs “great.”  YOU don’t get to decide that.  And neither do I, to be fair.  Today, let’s talk about who DOES get to decide if your song is great.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

When I was writing my earliest songs back in Arkansas, my cowriter, Tim Meitzen, and I would feel great about some of our songs.  But I remember Tim being reluctant to call those songs “great.”  Now, in the excitement of creation, we probably said things like, “Man, this is great!”  (I’m willing to bet that I did on several occasions.  I was wrong, but I didn’t know that then.)  But when speaking about those songs outside the writing room, it was a different story with Tim.

I remember him saying once, “I have a hard time calling one of my own songs ‘great.’  I’ll say ‘I love it,’ but I don’t think I can call it ‘great.'”  I took it as a healthy dose of humility and uncertainty on his part.  After all, what qualified us to call our own songs “great?”  What had we accomplished, other than recording some work tapes around a campfire?  What gave us the right to proclaim greatness?  Nothing did.

We don’t get to decide if our own songs are great.  Only the market gets to decide that.

If the market (the listeners) decide your music is great, then it IS great.  If the market decides your music is forgettable, then guess what?  It IS forgettable.  If the market decides that your current album isn’t worth their time, then the market is right.  If that same album is “rediscovered” ten years from now and the market decides that it is brilliant… then the market is right.

Like it or not, the market is always right.

But how can that be?  Because the greatness of music is ultimately a qualitative decision.  It’s subjective- a matter of opinion and taste.  Music isn’t math.  2+2=4 no matter what the majority decides.  Music isn’t like that.

Yes, you may be able to point out objectively how your song has a more sophisticated structure, rhyme scheme or melody than “cliche’ and stupid” hit songs on the radio.  But at the end of the day, you haven’t proven that your song is great.  You’ve only proven that is is more sophisticated.

I personally don’t really care if you call your own songs great.  Sure, in certain settings, that will make you sound like an egotistical amateur.  But whatever.  That’s not the biggest problem.

For many of you, your biggest problem is that you’re too busy blaming the market for being stupid and wrong when you should be focused on writing better songs.

If people don’t “get” your songs, it means one of two things:

  1. Your music isn’t for that audience, and you need to find the audience that WILL love it.
  2. You’re in front of the right audience, but your music isn’t good enough yet.  You need to keep working on your craft.

Let’s say you love country music, but you hate “today’s country music.”  That’s fine.  I can respect that opinion.  But if you want to write hits, what are you supposed to do?  Calling the market stupid does you no good.  Instead, study “today’s country music.”  What is it that the market likes about this music?  What makes it relevant to today’s country audience?

Don’t hate.  Investigate.

Once you start to understand that, you can incorporate some of those elements into your own songs – making them more relevant, or market-smart.  Or you can choose to stay inside your current musical box and hope that the market eventually changes its mind abut your music.  Hey, that’s fine.  Some writers stick to their creative guns, and sometimes the market eventually decides to like it.  Either choice you make is fine – as long as you understand the implications.  Just…

Don’t waste your valuable time blaming the market.

If you want some guidance on how to write “market-smart” songs that artists want to record and audiences want to hear, I have something you should check out.  It’s called, “Cut/able: Lessons In Market-Smart Songwriting,” and it’ll help you give your songs their best chance to one day be called, “great.”

Click here to take your songwriting to the next level.

God Bless and Enjoy the Journey,

Brent

_______________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________
Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far. SWP 4

Wordplay Thursday #206

Welcome to Wordplay Thursday!

Here’s a line to get you started. Feel free to use it to start off YOUR song, then go back and change this original line up a little bit. After all, other people will be using this one, too!

“I know where you were last night

‘Cuz boy/girl, I’ve been there…

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

Wordplay Thursday is a fun way to generate new song ideas- and who doesn’t need more song ideas?  If you’d like MORE “creative kickstarters,” join the Frettie.com community today!  In our private Facebook group, I share a handful of creative kickstarters every week.  Plus, there’s plenty more cool stuff for Frettie members!

CLICK HERE TO CHECK OUT FRETTIE!

God Bless and Enjoy the Journey,

Brent