Category Archives: Muse

These posts are meant to inspire.

Wordplay Thursday #17

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Here’s a writing prompt for you.  It’s a simple fill-in-the-blank.  You can use one word or several.  Feel free to get as crazy, genre-appropriate, or as imaginative as you want.  The point is to get the creative juices flowing.  And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you.  Try coming up with at least five things.

“My wallet’s thinner than  _______.”

I’ll give you one example to get you started:

“My wallet’s thinner than a penny on the railroad tracks.”

I’d love to hear what you come up with, so please share in the comments.  Oh, and please keep your posts below an R-rating.  It’s a family show, after all!

SHOUT OUT!

Thanks to Andrew Clayton, KK, Matt Martoccio, Wally Henderson, Samary, and Willa Thompson for their great additions to Wordplay Thursday #16 (read it here)!  Great job!

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-Brent

What It’s About

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The publishers and A&R reps on Music Row don’t want you to tell them what your song is about.  They want YOUR SONG to tell them what your song is about.  Your song needs to be self-contained and self-explanatory.  Don’t allow your “I wrote this song about / because…” intro to be a crutch to prop up your songwriting.  Make sure your song stands on its own.

God Bless,

Brent

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #16

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Here’s a writing prompt for you.  It’s a simple fill-in-the-blank.  You can use one word or several.  Feel free to get as crazy, genre-appropriate, or as imaginative as you want.  The point is to get the creative juices flowing.  And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you.  Try coming up with at least five things.

“I need ______ like ________ needs _______.”

I’ll give you one example to get you started:

“I need a new job like a brat needs a spanking.”

I’d love to hear what you come up with, so please share in the comments.  Oh, and please keep your posts below an R-rating.  It’s a family show, after all!

SHOUT OUT!

Thanks to Andrew Clayton, Derek Nyberg, Tommy, Samary, James Fate, nymatt, Paul Alvin Harris, ajarnderek, Wally Henderson, Andrew Cavanagh, Johnny Guest, and Willa Thompson for their great additions to Wordplay Thursday #15 (read it here)!  Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll.  If you like this blog, then make sure you don’t miss a single post.  Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below.  And I love it when you share this blog through facebook, Twitter, and wherever!  Thanks!

-Brent

Why Won’t A Pro Songwriter Write With Me?

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The question you might want to ask yourself is, “Why SHOULD a pro write with me?”  Remember, you are asking for at least half a day with a writer who has limited time and who is trying to keep a gig in one of the most competitive industries on the planet.  Every day he says “yes” to one person is a day he says “no” to everyone else.  “No” to his close friend (and they’ve written cuts together).  “No” to that artist who is working on her debut album.  “No” to that person THE PRO been trying to “write up” with.  And the pro also has to wonder, “Is this just a one-time write, or will this person be a new semi-regular that I need to fit into my schedule?”  This is not to say that pros never write with non-pros – they sometimes do.  Part of your job is to position yourself to be one of those people.  And we’ll talk more about that in future posts.  Good luck!

God Bless,

Brent

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Debt Is A Dream-Killer

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Beware of debt- it’s a dream-killer.  Financial debt limits your options- it raises the bar on what you have to earn to make ends meet.  How free are you to transition from your day job to the roller coaster creative life if you have to pay on your house, car, student loan, credit cards, etc. every month?  How supportive will your spouse be?  How much money can you put back for the transition if you’re in those kinds of chains?

Say “no” to the 98-inch holographic flatscreen tv, and say “yes” to your dreams.

God Bless,

Brent

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Boats And Rivers

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If you want to get cuts, think of your song as a boat.  Think of your network of relationships as the water in the river.  You can have a big, deep river (a lot of good relationships), but if your boat (your song) isn’t well-built, you’re just gonna sink.  If, on the other hand, you have a powerful speedboat, but the river is dry, you’re just sitting still.

Amazing things happen, though, when you put a speedboat on a big river.

God Bless,

Brent

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

You Win By Adding Value

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You win by adding value.  Opportunities come to those who add value.  For example, I brought the idea of “Caribou Barbie” (a Ray Stevens cut) to Matt Cline and Max T. Barnes because they added value by being in Ray’s camp and because they write that kind of song very well.  The value I brought was a title that Ray himself told me I should write.  Lisa Shaffer and Bill Whyte brought the title and idea of “Crickets” (a Joe Nichols cut) to me because they thought my lyrical sensibilities would make the song better.

Artists bring the value of having a record deal.  Published writers bring the value of experience and a team of songpluggers.  What’s your value?  Great hooks?  Do you do your own demos, saving your cowriters money?  Do you have artist potential?  Great melodies?  What can you do to add value?  If you identify it, you can sell yourself on it.  Good luck and God bless!

-Brent

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

5 Reasons Songwriters Need To Know Why They Write

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Knowing why you write will make you a happier, more successful songwriter.  Whoa.  That’s a pretty bold statement, isn’t it?  Well, today, I’m going to give you five reasons I believe this is true.  So let’s get to it.

1. It provides direction.

If you know why you write, it’s a lot easier to figure out what to do next.  For example, if you write as a way to preserve family stories and history, then your next step might be to pull out the family photo albums to find ideas.  Or you might want to record some songs as Christmas presents for your family.  On the other hand, if you write songs about fishing that you hope fishermen will buy, you can focus on writing fishing songs and figuring out how to market them to fishermen.

2. It clears the clutter.

Knowing why you write not only provides direction to your writing, it helps you identify what you SHOULDN’T be doing.  For example, if you write songs to get them recorded by others, why are you spending so much time booking your own shows and shopping for stage clothes?  Just go to shows of people that might record your songs and get to know them.  If you write to see kids light up and dance in the living room, you know you can stop making videos and trying to get views on YouTube.  Just find some kids and a living room.

3. It helps you find your tribe.

Or maybe it means you don’t need to find a tribe.  Your tribe is that group of folks who care about what you care about and share similar interests, passions, and goals.  If you write to express your love of beer, maybe you shouldn’t be looking for cowrites at a church choir convention.  Find a band playing in a honky tonk.

4. It helps you spend your time and money wisely.

If you’re writing to hear your song on the radio, you don’t have to spend money demoing that novelty song written in Russian.  You also know you don’t have to watch hours of YouTube videos on “how to write hit songs” if you know you really just want to write songs to cheer up sick children in the hospital.

5. It lets you know which advice and criticism to ignore.

You post a song online and some bonehead rants about how your song, “This Is How You Milk A Cow,” will never get on today’s country radio.  Since you know you write to entertain and educate kids about farming and country life, you can just laugh and go on with your day.  But if they say they were confused because for the whole first verse, they thought you were talking about being an astronaut, then you know you might need a rewrite.

So, yes, I believe you’ll be a happier and more successful songwriter if you can define why you write.  Irrelevant criticism won’t drag you down, and you’ll spend your time and money on things that get you closer to what was important to you deep down anyway.  You’ll have a better idea of which opportunities to pursue and which to ignore.  And you’ll have a better chance of finding like-minded folks with which to share your journey.

YOU VS…

So, why do YOU write?  Spend some time thinking about it if you haven’t before.  If you’re feeling really froggy, post it in the comments.  There are no wrong reasons.  Just honest or dishonest ones.

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

The Necessary And The Difficult

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The music business is a tough, tough business, and the path to success travels through setbacks, failure, and doubt.  The journey requires you to have patience, and it requires you to do difficult, challenging things.  I don’t know of any hacks or tricks which avoid hard work.

However, it is important to remember that not all difficult things are necessary, and not all necessary things are difficult.  To maximize your efforts, you want to avoid the unnecessary and do the necessary, whether difficult or not.  Doing the easy, unnecessary thing is sometimes inefficient, sometimes just lazy.  Doing the unnecessary, difficult thing is sometimes inexperience, and sometimes just self-sabatoge.  Try to spend the vast majority of your time on only the necessary things.  Wisdom, experience, and the advice of the wise and experienced is vital to knowing which things those are.  Good luck and God bless!

-Brent

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

“The Song”

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I’ve run into some aspiring songwriters who believe they have “the song,” and if they can just get “the song” to Kenny Chesney or Carrie Underwood, that it’ll be a surefire hit.  The hard truth is that it’s foolish to put all your hopes on one song.  So much timing, luck, and networking goes into getting a cut, much less a hit, that you need a CATALOG of great, commercially-viable songs.  If you have a bunch of great songs working their way through the system, MAYBE one will get cut.  If you can write one great song, that’s great.  Now focus on writing more great songs.  Good luck and God bless!

-Brent

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com