Tag Archives: Copyright

6 Ways You Might Be Wasting Your Songwriting Money

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Songwriting is a business, and businesses have to watch the bottom line.

It’s as simple as that. The more money you waste, the less money you’ll have for the important things, the longer it will take you to save up the money to go part-time or quit your day job to pursue songwriting, or the less time you’ll have to get a cut before having to go back to a day job.

Here are six ways songwriters waste money. Avoid them if you can.

1. Demoing unworthy songs.

It’s fun to demo songs, even the ones that’ll never get cut. But from a business perspective, it isn’t always wise. Check out my post on “8 Questions You Should Ask Before You Demo That Song.”

2. Taking trips to Nashville without a plan.

Nashville is a great place to vacation. You can come on up and wing it. That’s cool (I’ve done it). But if it’s a business trip, you need to do some planning. Plan a place or two to play. Try to get a meeting with a PRO rep (ASCAP, BMI or SESAC), NSAI rep, or other legitimate coach/mentor.  Set up some cowrites if you can.

3. Lyric-to-music services.

They’ll take your money and put a melody on your lyric. But you’re simply NOT going to get a cut out of it. I would be shocked if that kind of service has ever… EVER… led to a major label cut.

4. Copyrighting the wrong songs.

Most songs are simply never going to earn the writer a dime. That goes for amateur and pro alike. So, in most cases, copyrighting your song is a waste of both time and money. For more on this topic, read my post, “Should You Copyright Your Song?”

5. Songpluggers.

You know that old joke, “I refuse to join any club that would have ME as a member?” Well, that’s how most songwriters should think about songpluggers. If the only person in Nashville flipping out about your songs is someone who wants you to pay them to pitch your songs, be very cautious. There are probably only a handful of real-deal indie songpluggers in Nashville, and they pretty much just work with established pros (because pros consistently provide the most pitchable songs). Songplugging is so much about relationships. So even if your prospective plugger is honest, he or she may just not be connected enough to get results worth your money.  Be cautious.

6. Non-expert experts.

Anybody can get a website and call themselves a “songwriting coach” or “music biz expert.” That doesn’t mean this person really knows what they’re talking about. Before you buy somebody’s book or time, do your homework. Make sure they really have some track record or street cred. Some mean well. Some are sharks. Either way, wasted money is wasted money.


Take care of your money, and your money will take care of you.

God Bless,

Brent

THE PRO KNOWS

To BE a pro, you need to THINK like a pro. In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business. Just click on the picture below to download this complimentary report today!

The Pro Knows

Man vs Row

Should You Copyright Your Song?

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Should I copyright my song?

That’s a question I used to ask, and it’s one I’ve heard a lot over the years from other songwriters. Here are my thoughts on it. Hopefully, this will give you some answers, some guidance and some peace. By the way, I am NOT a lawyer, so this is NOT legal advice.  Always check with a legal professional before making big decisions.

What do the pros do?

I used to work in the royalty department of Bluewater Music. We wouldn’t send off a copyright registration until the day a song was commercially released. The last time I checked, it cost $40 to register a work, and it’s just financial suicide for a prolific writer or publisher to invest that much per song. I’ve had years when I’ve written 100 songs – that’s $4,000 just to register the copyrights! Even if you only register the songs you demo and pitch, it’s still not a good use of time and money.

What if somebody steals your song?

First of all, it’s hard to sue and prove plagiarism. You can’t copyright a title, idea or approach. Secondly, you have to prove the “thief” had access to your song. Thirdly, and most importantly, they’d have to make enough money off your song to make it worth your time to take legal action. Basically, it would have to be a hit. And that is VERY hard to do! The odds of that happening is so very slim that it’s a non-issue. Don’t let it stop you from pitching your songs or playing them out.

Do you protect your songs at all?

Yes. I leave a paper trail to prove the date of creation (which is a huge part of proving ownership). But, honestly, this is more to protect ME from someone suing me. I keep a paper calendar where I write my cowrite dates and cowriters. I write on a laptop, but I also copy the lyric into a series of notebooks with the date on each page. Additionally, I keep the Garageband file of each worktape. For songs which are part of a publishing deal, there’s an additional paper trail- assignments, Schedule A, etc.

You own the song the moment you write it down or record it. Registering your song with the copyright office just helps to prove it.

So, that’s me. I don’t copyright a song until it is commercially released (on more than just a small do-it-yourself indie project). But how you handle it is up to you. If it’s worth $40 a pop to help you feel comfortable sharing your top songs with the world, that’s cool. I hope that gives you some answers.

God Bless,

Brent

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75
//