Tag Archives: Rascal Flatts

Fail. Fail. Fail… Win.

Man vs Row

Let me share some failures with you. Don’t worry. There’s a happy ending.

Elvis Presley was booed off stage in Batesville, Arkansas (my hometown). Garth Brooks got passed on by every record label in Nashville. “Bless The Broken Road” was a non-hit single for an artist named Melodie Crittenden in 1998. A songwriter named Brett James gave up on the music biz and moved back to Oklahoma. A young songwriter named Kenny Chesney was told by a cowriter they should hire a demo singer for their song because Kenny “can’t sing.” “Monday Morning Church,” written by two unknown writers, failed to make NSAI’s Pitch-To-Publisher Luncheon.

What a bunch of losers, right? What a bunch of nobodies who never made it and songs that failed miserably.

Of course, we all know that’s not how these stories end.

Garth, Elvis, and Kenny became hugely successful artists, selling millions of records. Brett James started getting cuts, moved back to Nashville, and has written a ton of hits. “Bless The Broken Road” became a multi-week #1 and career song for Rascal Flatts. “Monday Morning Church” went top 5 for Alan Jackson and got me into the music business.

That’s how life often works. Fail. Fail. Fail… Win.

Obviously, not every song and songwriter that gets rejected will eventually find major success. Honestly, most won’t. Some songwriters have countless “fails” before a win. Some don’t have very many at all.

So, if you have some failures on your ledger… so what? Dust yourself off and try again. Learn from your failures. Fail again. Fail better.

The truth is, we rarely know when we’re close to a success or a breakthrough. We just keep working hard, plugging away. Fail, fail, fail…

I know. It’s easy for me to say. I’ve been blessed with some wins to go along with my losses. And I can’t promise you that your next (or first) win is just around the corner. But I can promise you that failing is just part of the process. It’s a part of every success story.

Don't Fear Failure

Maybe you’ve had so many “fails” in a row that you’re considering quitting your pursuit of professional songwriting or getting cuts. If that’s where you are, there’s a book by Seth Godin that may serve you. It’s called, “The Dip,” and it’s about when to stick it out and when to just get out. I’m a fan of Seth’s work, and while I haven’t read this book just yet, it’s on my to-read list. Here’s a link if you want to check it out.

I’d love to hear from you! Have you read “The Dip?” What did you think? Have you heard (or lived) any good Fail-Fail-Fail-Win stories? Please share your thoughts in the comments!

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Man vs Row

Songwriters, Take Your Listeners To The Movies

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Imagine yourself in a darkened movie theater. The movie starts to play, but there is just sound… no picture. You’d be upset, right? Well, then, why do we sometimes write songs that way?

I think the movie analogy is an appropriate one for songwriting.

After all, don’t we basically write 3-minute movies?

Our job is to entertain, to move, or to make the listener think. Just like a movie. But because songs are an audio format, we sometimes forget about the pictures. But they are terribly important!

Take, for instance, “The Thunder Rolls” written by Garth Brooks and Pat Alger. Yes, it’s an oldie, but it’s a classic. This lyric is a movie all by itself. Let’s look at the first verse:

3:30 in the morning / not a soul in sight / the city’s looking like a ghost town / on a moonless summer night / raindrops on the windshield / there’s a storm moving in / he’s heading back from somewhere / that he never should have been / and the thunder rolls

You can SEE that verse. The ghost town, the dark night, the raindrops. Not only that, but you can HEAR it. The thunder rolls. While this lesson will focus on visuals, don’t forget that you have FIVE senses, and you should use as many of them in a song as possible. Let’s look at the second verse:

Every light is burning / in a house across town / she’s pacing by the telephone / in her faded flannel gown / askin’ for a miracle / hopin’ she’s not right / praying it’s the weather / that’s kept him out all night / and the thunder rolls

Again, you can SEE and HEAR that verse. Lights burning, pacing by the phone, the faded flannel gown, the thunder rolls. And the third verse is just as visual as the first two.

It is no accident that some writers refer to sensory details as “furniture.” An empty room is not very inviting. It doesn’t hold your attention very long. However, a room with a great big couch and great art on the walls INVITES you in for a while. It gives you something to look at.

I got this feedback from an old publisher when I didn’t have strong visuals in a song. He said it left him, as he called it, “floating around in space with nothing to hang on to. You’re just telling me how you FEEL.”

There’s a songwriting adage that says, “Don’t TELL me, SHOW me.” Visuals give you something to latch on to. A strong visual or other sensory image at the front end of a song really draws a listener in. It gives you a picture right off the bat.

Take these following first lines from some recent hit songs:

Doublewide Quick Stop midnight T-top Jack in her Cherry Coke town – “American Kids” sung by Kenny Chesney

Quarter in the payphone, clothes drying on the line – “Automatic” sung by Miranda Lambert

Those high heels with that sun dress, turquoise heart hanging ‘round your neck – “My Eyes” sung by Blake Shelton

Summer comin’ through a rolled down window, tearin’ down an almost two lane back road – “We Are Tonight” sung by Billy Currington

And now a few hits that are a couple years back…

Sun shines, clouds rain, train whistles blow and guitars play – “It Just Comes Natural” sung by George Strait

I’ve packed a cooler and a change of clothes – “Want To” by Sugarland

Driving through town, just my boy and me. With a happy meal on his booster seat– “Watching You” by Rodney Atkins

I can take the rain on the roof of this empty house– “What Hurts The Most” Rascal Flatts

She’s a yellow pair of running shoes, a holey pair of jeans– “She’s Everything” Brad Paisley

I could do this for days. Now, I know there are examples out there of purely emotional songs that do well. But if you look at the songs that are not written by the artist or by the producer or by an established hit songwriter, I think you’ll see a trend.

So good luck with your songwriting. Use lots of visuals, and keep at it.

What about you?  Do you tend to write with or without a lot of imagery?  Are there lines from some other songs you think have great imagery that you’d like to share?  I’d love to hear from you!

God Bless,

Brent

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Awards

YouDay
Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

I got some exciting news last week when the nominees were announced for the 2014 Canadian Country Music Awards (CCMAs). Gord Bamford, Byron Hill and I are nominated for Songwriters of the Year for our song, “When Your Lips Are So Close.” The song is also nominated for Single of the Year. (It went #1 with Gord as the artist.) By the way, if you happen to be a CCMA member, we’d appreciate your vote!

What award would you love to win? As a writer and/or artist, which award would you take if you could only have one? And, honestly, if you couldn’t care less about awards or if your dream reward has nothing to do with the music business I’m cool with that. I hope you’ll put whatever your answer is in the comments.

What award would YOU love to win?

As a writer and/or artist, which award would you take if you could only have one? And, honestly, if you couldn’t care less about awards or if your dream reward has nothing to do with the music business I’m cool with that. I hope you’ll put whatever your answer is in the comments.

I’ll go first, and I’ll keep it to music.

In 2005, “Monday Morning Church” won a “Song I Wish I’d Written” Award from NSAI. There were only 13 given that year, and the other winning songs included “Bless The Broken Road,” by Rascal Flatts, “I May Hate Myself In The Morning” by Lee Ann Womack, “Hey Good Lookin’” by Jimmy Buffett and Friends, and “Memories Of Us” by Keith Urban.

To have one of my songs sitting along side songs written by Hank Williams and Rodney Crowell was simply amazing. What made it even more special was that the award was voted on by only pro songwriters. When I dream about success, it usually involves that award.

But enough about me. What about YOU?

God Bless,

Brent

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

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