Tag Archives: Songwriting

Know The Row w/ Ruthie Collins & Brent Baxter

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

KNOW THE ROW w/ RUTHIE COLLINS & BRENT BAXTER

Do the following statements remind you of yourself?

I feel like Nashville and Music Row is a world away. I write good songs, but I can’t seem to “crack the code” of Music Row. What does an actual artist REALLY want? It has to be more than just “positive uptempo love” songs, right? Why do artists pass on really good songs? I have a few questions that nobody I know can answer. I need to talk to somebody actually IN the music business. I think if I understood how an artist really decides what to record, I could have a shot at getting cuts. But I’m either not getting heard- or not getting honest answers.

If you keep on guessing what gets a song cut, you’ll probably get pretty much the same results you’re getting now. Taking who-knows-how-much time trying to figure out the truth on your own while spending who-knows-how-much money demoing songs that will probably never get cut.

Trying to get a cut without understanding the music business is like throwing darts in the dark and trying to hit a bullseye. You can spend your time and money filling the air with darts and hoping to get lucky… or you can let Man vs. Row pull back the curtain and let some light in. Learning how Music Row works- getting an insider’s perspective, will put you in a much better position to get cuts or a record deal.

This is not about giving you a fish. This is about teaching you HOW to fish. This is not about saying, “Artist so-and-so wants ___ kind of song.” No, this is about learning to think like an artist- to determine what artists really want and need- and how you can write songs that fill that need.

On Thursday, August 21, I’m hosting a special “Know The Row” Google Hangout with new Curb artist, Ruthie Collins.

This is about helping you get on the path to where Ruthie and I are. She’s an artist on Curb Records preparing to send her first single to country radio. I’m a songwriter with several cuts under my belt- including a top 5 country hit in the US and a #1 in Canada.

You’ll be more than just a fly on the wall, though. You’re invited to join the conversation and ask your own questions as Brent and Ruthie discuss:

     *How getting a record deal is just the beginning.

     *How the songs on an album are really chosen (and why branding matters).

     *Picking a first single. The best way to get a cut on a new artist.

     *The process of writing songs for a record.

     *Why an artist needs to be proactive (and patient).

There are only 8 spots open for this intimate one-hour event, which will be from 7:30-8:30pm Central on Thursday, August 21, 2014. We will meet via Google Hangout. Tickets are only $97.

Reserve your spot NOW by clicking on the image below:

Know The Row w: Ruthie

PRAISE FOR BRENT’S ONLINE WORKSHOPS

Brent’s Skype clinic was great. He was so well organized that the information was very easy to follow, and he was very friendly and the environment was very interactive. His suggestions and ideas about songwriting were so motivational that I stayed up until 2am writing that night! He even sent all of us extra handouts and went past the scheduled time to make sure everyone had their questions answered. I appreciate his willingness to share his love of the craft with other writers. – Briana Murphy, Nashville

Your presentation was interesting and flowed well.  Your handouts and examples were good and helped.   What you covered in that short amount of time was very informative.  The development section has opened a new world to me. Would I do this again? Yes. – Mark Westendorf

Brent Baxter’s songwriting workshop gave me the ol’ inspirational shot in the arm that I was hoping for. I can’t wait to try out some of his recommended methods for digging up and developing ideas. He’s on top of the latest digital aids and is the most organized songwriter I know. This man knows his stuff and shares it with those who want to take their skills to the next level. — Janet Goodman, Miami

NEVER MISS ANOTHER MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75

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Songwriter, Do You Fear Success?

Man vs Row

 

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

What is it that’s keeping you from writing that “sure-fire” hit idea that’s been sitting in your notebook? What’s been keeping you from asking for that (potentially) life-changing cowrite even though you think they’ll say “yes?” What’s keeping you from walking through that open door to play your best song for an artist or publisher?

Is it fear of failure?

Maybe.

It might be that you fear the artist or publisher saying your best song doesn’t knock them out. Maybe you fear “ruining” your hit idea because you write it wrong. Maybe you fear sitting down with a big-time writer and being exposed as a fraud. You might fear what will happen if your dream gets crushed.  Or…

…maybe you fear what will happen if your dream comes true.

Maybe somewhere deep down you fear that your hit idea REALLY IS A HIT.

A hit means you finally have to decide if you want to quit your “safe” job and try to repeat your success. What if your cowrite with the big writer goes really well, and he wants to write again or even recommend you to his big-name writer buddies?

That can feel like a lot of pressure to write at a high level again and again, on demand.

Fear of success can be just as paralyzing as fear of failure.

Tweet: Man vs. Row: “Fear of success can be just as paralyzing as fear of failure. Don’t fear success!” http://ctt.ec/x4_KN+

Now, I’m no shrink, so I’m not going to try and walk you through how to defeat fear of success. But I do know there’s value in identifying where your fear is coming from- so you can call it by name as you battle it.

What about you?  Have you had to battle fear of success?  Leave a comment below- I’d love to hear from you!

God Bless,

Brent

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KNOW THE ROW

MvR presents your opportunity to visit with new Curb Records artist, Ruthie Collins, as she prepares to release her first single to country radio.  Ruthie and hit songwriter, Brent Baxter, will give you an insider’s look at the reality of songwriting and record-making on Music Row.  But they won’t be the only ones talking- you’re invited to join in the conversation, too!  There are only EIGHT tickets available for this intimate get-together.  Click on the image below to find out more!

Know The Row w: Ruthie

NEVER MISS ANOTHER MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75

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One Email Away

YouDay
Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

It’s ironic that I posted about “8 Ways To Build And Protect A Positive Attitude” on Monday morning, because I felt anything BUT positive.  Maybe it’s just a Monday thing when you’re not heading off to do what you love, and you know you have a full week of not doing what you love ahead of you.  Maybe it’s just life trying to make a hypocrite of me for what I had just posted.

Either way, I was pretty sour.  My next success felt too far in the future, and my last success felt too far in the past.  I felt miles away from where I want to be.  I even had an old buddy return my call about a MvR opportunity, but I didn’t pick up.  I was in no mood to dream and plan.  The rock I’m trying to push up that mountain felt very heavy.

Ever have those Monday mornings?

Well, I eventually started pulling myself out of the funk.  I started listening to some podcasts which inspire, motivate, and fire me up.  That got the juices going some.  Then I called my buddy back and we had a good little chat.  That helped, too.

Then, around 2pm, I got an email from another old friend and cowriter, Roxie Randle.  She said we had just gotten a cut!  The song is called, “No Promises,” and we wrote it back in early 2008.  It’s been cut by an artist out of Oklahoma.  Her name is Sarah Dunn, and she’s on a radio tour right now promoting her first single on Audacity Records.  The album should be out in a month or two.  (You can check her out here.)

I’ve been hearing good things about Sarah, and it’s ALWAYS cool to get a cut.  But what I’m really happy about is that it’s Roxie’s first outside cut.  She’s a talented singer/songwriter and has put out her own albums (check her out here), but this is the first time she’ll get to pop in somebody else’s album and listen to her own song.  She was one of my first cowriters when I hit Nashville in 2002, and I’m so proud to be a part of her first cut.

It just reminds me how everything can change with just one email or one phone call out of the blue.  Believe me, the last thing I expected was to get a call about a cut on a 6 1/2 year old song.  But that kinda stuff can happen when you do good work and put it out into the world.

I have no big expectations for this song.  I’ve learned not to lean too much on what might be.  I’m just thankful for the cut, and anything else is gravy.  And I’m also thankful that tomorrow might bring another call or another email.

But enough about me. What about YOU?

Do you have a story of being in a dark place with your dream, only to have a ray of sunshine just when you needed it?  I think if someone else out there is in that valley, hearing your story might encourage them.  Thanks.

God Bless,

Brent

UPCOMING LIVE MvR EVENTS!

I have two special online small group coaching sessions coming up in August, and I’d love for you to make it.  The first is on “Finding And Focusing Your Idea.”  Learn some of the techniques I have used to generate song ideas that have led to cuts.  The second is a special small group interview/chat/Q&A with new Curb Records artist, Ruthie Collins.  This is your chance to connect with her as she’s recording her debut album and is prepping her first single for release.  It’s a very cool opportunity.  Just click on the image below to find out more about each!

Small Group Coaching 1

 

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75
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8 Ways To Build And Protect A Positive Attitude

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

As I discussed in “A Positive Attitude Matters For Songwriters” (to read it, CLICK HERE), it is very important for songwriters to have a positive attitude. In this post, I’d like to discuss 8 ways to both build and maintain that positive attitude. These are techniques which I personally use (some more than others). Feel free to tweak for your own needs/personality.

1. Regular Bible study and prayer time.

It’s important for me to connect with God on a regular basis. It’s good to spend time focusing on something outside of myself, to remember that there are things more important than music. Aligning with truth helps me to keep the ups and downs of the music biz in proper perspective. Christ has a loooong way to go in making me who I will eventually be, but He’ll get me there.

2. Display trophies.

Sometimes it’s easy to think about present disappointments and forget past victories. Try displaying trophies from your success. My wall includes albums I’m on, a few awards, and some pictures. You might not have that yet, and that’s fine. Start where you are. It might be framing a lyric that was a breakthrough in your writing. It might be framing the comments from a positive song evaluation. A photo from your first writer’s night. Or maybe it’s more of a vision board where you post visual reminders of where you want to get.

Awards Wall

3. Listen to positive messages.

Garbage in, garbage out… so make sure you’re exposing yourself to positive messages. During my day gig, I do a lot of driving, so I’ve really gotten into podcasts. I mostly listen to entrepreneur podcasts, and songwriting podcasts and sermons. Not only do these podcasts inspire and educate me, they keep my dreams in front of me. For you, it might be posting motivational or inspirational messages where you’ll see them often.

4. Serve others.

Get out of your own life and help somebody. A disappointing publisher or pitch meeting loses some of its sting when you’re face to face with the homeless or the sick. Try it out and see for yourself. (Full disclosure: I’m lousy at this, and God usually has to put those opportunities in front of me because I’m too self centered to go look for them. But when I follow through and help somebody out, it always lifts my mood. Who’s really helping whom?)

5. Exercise.

Exercise releases endorphins and helps raise your mood. Getting in shape also gives you more energy for chasing your dreams. Plus, it helps your general self-image and makes it easier to see yourself as a disciplined person who does the right things. If you’re out of shape, that gives you one more thing to beat yourself up about. “The publisher didn’t like my song… and I’m fat.”

6. Enjoy the journey.

Don’t delay gratification until the night of your Hall of Fame induction ceremony. First of all, you might get hit by a bus the week before. Secondly, if you just put your head down and work work work until you reach some far off goal, you’ll probably burn out and quit first. The journey itself is the only guarantee- so enjoy it. Celebrate the small victories- go out to dinner with your team or hang a trophy on your wall. Don’t rest on your laurels, but celebrate along the way.

7. Eavesdrop on yourself.

What story are you telling yourself about your talent, your songs, and your chance of success? It’s important to listen to your internal monologue- that voice in your head that tells you that each obstacle is either proof that you’re a failure or just a hurdle that you’re going to overcome on your way to success. Retrain yourself to think (and talk) in more positive terms. Replace your negative thoughts with positive ones.  I know, I know.  It sounds kind of “woo-woo new age,” but it’s true.

8. Build a positive team.

Just as it’s important what you tell yourself, it’s important what others tell you. Are they lifting your spirits or pulling you down? Does your cowriter spend half the session complaining how nobody’s getting cuts and great songs can’t win? Or is he trying to figure out how your great song WILL win? You don’t want a team that refuses to see reality and how hard this biz can be, but you also don’t want a team that is defeated from the beginning. Align yourself with the folks who bring out the best in you – both musically and otherwise.

Well, I hope this has been helpful for you. Keep your chin up and keep writing!

God Bless,

Brent

THE PRO KNOWS

To BE a pro, you need to THINK like a pro.  In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business.  Just click on the picture below to download this complimentary report today!

The Pro Knows

 

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75

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Awards

YouDay
Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

I got some exciting news last week when the nominees were announced for the 2014 Canadian Country Music Awards (CCMAs). Gord Bamford, Byron Hill and I are nominated for Songwriters of the Year for our song, “When Your Lips Are So Close.” The song is also nominated for Single of the Year. (It went #1 with Gord as the artist.) By the way, if you happen to be a CCMA member, we’d appreciate your vote!

What award would you love to win? As a writer and/or artist, which award would you take if you could only have one? And, honestly, if you couldn’t care less about awards or if your dream reward has nothing to do with the music business I’m cool with that. I hope you’ll put whatever your answer is in the comments.

What award would YOU love to win?

As a writer and/or artist, which award would you take if you could only have one? And, honestly, if you couldn’t care less about awards or if your dream reward has nothing to do with the music business I’m cool with that. I hope you’ll put whatever your answer is in the comments.

I’ll go first, and I’ll keep it to music.

In 2005, “Monday Morning Church” won a “Song I Wish I’d Written” Award from NSAI. There were only 13 given that year, and the other winning songs included “Bless The Broken Road,” by Rascal Flatts, “I May Hate Myself In The Morning” by Lee Ann Womack, “Hey Good Lookin’” by Jimmy Buffett and Friends, and “Memories Of Us” by Keith Urban.

To have one of my songs sitting along side songs written by Hank Williams and Rodney Crowell was simply amazing. What made it even more special was that the award was voted on by only pro songwriters. When I dream about success, it usually involves that award.

But enough about me. What about YOU?

God Bless,

Brent

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75
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A Positive Attitude Matters For Songwriters

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Success in songwriting and the music business is about so much more than just talent. For one thing, there is just so much talent in (and trying to get in) the business that talent alone is not enough. In a biz where talent is as common as water, attitude can make or break you. So today, I’d like to focus on why having a positive attitude is important.

A positive attitude keeps you going.

This is a marathon, not a sprint. A positive attitude allows you to tap into your deeper energy reserves. Without this, it’s too easy to quit when it’s been a few miles (or a few years) of uphill climb. A positive attitude gets you through the tough times.

A positive attitude draws the right people to you.

Wise, successful people want to surround themselves with positive people. They know that negative attitudes are contagious and toxic, so they intentionally avoid negative people. If you want to keep the company of successful people, it helps to be a positive person.

A positive attitude helps you be more creative.

If you believe you’ll be successful, if you believe your next great song is just around the corner, your mind will be open and receptive to song ideas in the world around you. In a cowrite, you’re more likely to shut down and not contribute if you’re more worried about not saying something “stupid” than you are about saying something that might be great.

A positive attitude opens your eyes to possibilities.

Pessimism focuses on the closed door, but optimism keep an eye out for an open window. A positive attitude allows you to move on from disappointments more quickly so you get back in the game. Pessimism sees only the reasons something won’t work. Optimism sees the obstacles, but it can also envision the path to victory- or at least believes that there IS a path to victory to be found.

A positive attitude helps you learn.

If you always focus on how “bad” the songs on the radio are or what hacks the hit songwriters are, you’re less likely to see what has made those songs and those songwriters successful. You don’t have to love every song on the radio, but they each might have something to teach you. Don’t miss the lesson.

Songwriting should be fun!

Listen, the chance of big monetary or commercial success in songwriting is very slim. If you don’t have a good attitude, if you aren’t having fun, then you should probably find something else to do. Music is meant to be a blessing. If it becomes a curse, you may need to step away for a while.

Take good care of your attitude, and your attitude will take good care of you.

What about you?  What other advantages do you get from a positive attitude?  What disadvantages of a negative attitude?  I’d love to hear your comments!

God Bless,

Brent

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75
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Should You Copyright Your Song?

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Should I copyright my song?

That’s a question I used to ask, and it’s one I’ve heard a lot over the years from other songwriters. Here are my thoughts on it. Hopefully, this will give you some answers, some guidance and some peace. By the way, I am NOT a lawyer, so this is NOT legal advice.  Always check with a legal professional before making big decisions.

What do the pros do?

I used to work in the royalty department of Bluewater Music. We wouldn’t send off a copyright registration until the day a song was commercially released. The last time I checked, it cost $40 to register a work, and it’s just financial suicide for a prolific writer or publisher to invest that much per song. I’ve had years when I’ve written 100 songs – that’s $4,000 just to register the copyrights! Even if you only register the songs you demo and pitch, it’s still not a good use of time and money.

What if somebody steals your song?

First of all, it’s hard to sue and prove plagiarism. You can’t copyright a title, idea or approach. Secondly, you have to prove the “thief” had access to your song. Thirdly, and most importantly, they’d have to make enough money off your song to make it worth your time to take legal action. Basically, it would have to be a hit. And that is VERY hard to do! The odds of that happening is so very slim that it’s a non-issue. Don’t let it stop you from pitching your songs or playing them out.

Do you protect your songs at all?

Yes. I leave a paper trail to prove the date of creation (which is a huge part of proving ownership). But, honestly, this is more to protect ME from someone suing me. I keep a paper calendar where I write my cowrite dates and cowriters. I write on a laptop, but I also copy the lyric into a series of notebooks with the date on each page. Additionally, I keep the Garageband file of each worktape. For songs which are part of a publishing deal, there’s an additional paper trail- assignments, Schedule A, etc.

You own the song the moment you write it down or record it. Registering your song with the copyright office just helps to prove it.

So, that’s me. I don’t copyright a song until it is commercially released (on more than just a small do-it-yourself indie project). But how you handle it is up to you. If it’s worth $40 a pop to help you feel comfortable sharing your top songs with the world, that’s cool. I hope that gives you some answers.

God Bless,

Brent

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75
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Tell Us About Your First Song

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

What’s the story of the first song you ever wrote?

Did a light come on, telling you, “This is what I do!” Or did the songwriting bug slowly creep up on you? Did you ever play it for anyone? What do you feel about that song as you look back on it now?

Here’s my story:

It was Christmas of 1994. I was back home in Batesville from college at Arkansas State. It was my sophomore year. My buddy, Tim Meitzen, had gotten a guitar for his birthday, and he was starting to play and sing. He was still back in high school, but we knew each other and were friends from church.

Me, I had been writing poetry since my senior year in high school. Bad poetry, mostly venting about unrequited crushes, etc. I had also been writing short stories- mostly superhero adventure stuff. It was an outlet, and fun, but I didn’t consider myself a “writer” really. Or at least, I didn’t know what to do with it.

Anyway, Tim and I got together over Christmas, hanging out at his house. He had started songwriting a little bit. I showed him a “poem” I had written called, “Waiting On Wings.” I didn’t realize it at the time, but the structure of the poem was just like the structure of a song- it had verses and a repeating chorus.

Tim liked it, and he stole the melody off something else he had been working on and applied it to my poem… which was now a lyric. It was a ballad about a girl named Julie who had always been waiting on her wings. “Julie’s just an angel who is waiting on her wings – waiting for her chance to soar above all earthly things.” Each verse told a different story from her life, and (you guessed it) ended with her old, dying, and waiting on Heaven.

Sad, sweet, ballad… does that sound like your first song?

Tim put that melody on my words, and I was hooked. It was such a great feeling to have my words sung back to me! My short stories were in a notebook at home. My poems were in a notebook at home. But this SONG… this song was being sung out into the world! Tim could play it around the campfire with our buddies- which was way cooler than me reciting a poem to a bunch of 18 year old guys out in a field at 2 in the morning.

It wasn’t a very good song. It was okay, but miles away from anything professional level. Of course, we didn’t know that- we thought it was great!

After that night, I still wrote a poem or two, but I mainly wrote song lyrics. I was hooked on hooks… and I still am.

What about you? I’d love to hear your story!

God Bless,

Brent

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75

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Shuffle The Deck To Beat 2nd Verse Hell

 

Shuffle-Deck

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

“2nd Verse Hell” is that lovely place you reach at the end of the first verse and chorus where you stare at the page for an hour, pulling out your hair and trying to figure out what to say next. I’ve been there, and it’s not fun.

Sometimes the solution to 2nd Verse Hell isn’t what happens next. Sometimes, the solution is what happened before.

Think of each section of your lyric, or even each thought, as a single playing card out of a deck. Shuffle the deck. Take what you thought was your first verse and move it to the second verse. Now what needs to be said in the first verse? Or maybe verse two is really the chorus and the chorus is really verse two.

Don’t be afraid to shuffle the deck several times. If you don’t like the result, you can always put the cards back in their original order. Go ahead. Give it a try.

Shuffling the deck just might change a losing hand into a winning one.

God Bless,

Brent

YOU VS.

What about you?  Do you struggle with 2nd verse hell?  What ways have you used to fight it?  I’d love to hear from you!

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If you like this blog, don’t miss a single post!  Just put your email in the “Follow Man vs. Row via E-mail” section on this page, and I’ll send each new post right to your inbox.  The “Follow” box is either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75

Don’t Let Songwriting Success Kill Your Momentum

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Don’t let songwriting success kill your momentum.

That sounds crazy, right?

But trust me, success can be just as big of a stumbling block as failure.

And here’s why: In the music biz, it can take a long time for success to bear the fruit of success.

Let’s say you get a big cut. It’s an amazing feeling, for sure. It’s tempting and easy to spend too much time and attention on what is now out of your hands. “Did it make the record? Will it be a single? Let me spend my solo songwriting time daydreaming about my #1 party!  Oh, and let’s make sure I spend too much of my cowriting time annoying my cowriter by talking about it!”

But here’s the truth- it may take months, years, or never for your cut to ever see the light of day. (It took TWO YEARS after my Randy Travis cut for the album to come out- and other cuts never came out at all.) Even if the record comes out, it’s easy to wait around to see if it becomes a single. If you are too focused on that one cut, you might miss several good opportunities in the meantime.

For example, you might be tempted to wait until your song is released to call for that cowrite you want (thinking it’ll make you more credible).  Or maybe you’re waiting to book some particular songwriting show until you can say, “Yeah, this song came out last week…”

Or maybe your success is getting your first song picked up by a publisher.  It’s tempting to see what happens to that song before approaching other publishers or certain songwriters about writing.

Maybe you just had a great publisher meeting, and you’re waiting to see if you can get a single song publishing contract before calling a venue and trying to book a songwriter round.

But the thing you’re waiting on may not happen, and you wasted time when you could’ve been making something else happen.

Write your next song. Find your next pitch opportunity. Don’t stop working your backside off! Now’s not the time to coast- now’s the time to put the hammer down while you have a success under your belt to give you some street cred.

Please understand me, though- I’m NOT telling you not to celebrate your victories. It’s very important to savor the wins (see my post “6 Ways Songwriters Can Keep Motivated”).

Go ahead, dance in the endzone. Spike the football. But then huddle back up and run the next play.

The game isn’t over yet- don’t stop playing.

What about you?  Have you experienced a success that hurt, or threatened to hurt your forward momentum?  I’d love to hear your comments!

God Bless,

Brent

THANKS!!

Thanks to the Songwriting and Music Business Conference for having me out to speak on the 20th!  I had a blast, and I enjoyed meeting several of ya’ll in person.  And thanks for all the kind comments in person and on Twitter and Facebook!

DON’T MISS A SINGLE MvR POST!

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Razorbaxter75