All posts by Brent Baxter

Take A Cliche Moment And Make It A Hit Moment

Man vs Row

Every time you use a cliche in your song, you miss an opportunity to do something great.

Cliches get used so much because they’re so easy. They are the first things that come to mind when we want to communicate certain things.

For example, it’s a lot easier to just say we’re “raising hell” or “painting the town” than it is to dig deeper and say we’re “filling Friday night full of empty cans” or “trying to make the Barhopper’s Hall of Fame.”

The cliche gives the listener information, but it’s forgettable because the listener has heard it a thousand times. There’s no emotion left in it. (Unless you somehow set up the cliche in a way that makes it fresh.)

When you go beyond the cliche, you have a chance to wow the listener with something they haven’t heard before.

A great example of this is “Summertime,” recorded by Kenny Chesney and written by Craig Wiseman and Steve McEwen. It’s about being young in the summertime, and there’s a part in the chorus where they reference driving around.

Young + summertime + driving = radio up + window down. Right? Yes, and that’s why it’s a worn out cliche. Sure, it’s true- we’ve all lived that line many times. But there’s nothing memorable or “wow” about it.

Instead, these hit writers reference a Yoohoo bottle on the floorboard. So much better!

It’s believable- I can totally picture young guys leaving a Yoohoo on the floorboard.

It’s fresh- I’ve never “seen” that image in a song before.

Bonus: It provides a fun melodic moment when Chesney sings, “Yoohoo!”

The writers took a cliche moment and made it a hit moment. It’s our job to do the same.

Dig Deeper

What do you think? What’s your take on this topic? I’d love to hear your comments. And if there are some lyrics where the songwriter make a cliche moment a hit moment, share those in the comments, too!

Knowing simple things like this is how you write stronger songs- and market-smart songs (songs that have a competitive advantage in the market).  If you want to  learn more about how to write market-smart songs, check out my ebook, “Cut/able: Lessons In Market Smart Songwriting.”  Click on the image below or click here to write market-smart songs.

God Bless,
Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

cutable 3d final white

 

Wordplay Thursday #105

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“Grandma’s as frail as _____.”

I’ll give you an example to get you started:

“Grandma’s as frail as butterfly wings.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

And thanks to Barney Coulter, Mark Westendorf, Ken Matthiessen, Don Nelson, Ethan Fogus, Debbie Convoy, Jillian Silcox, Jim, Greg Halvorson, Martin Vipond, Buddy Lewis, Joe Slyzelia and everyone else for your great additions to Wordplay Thursday #104 (read it here)! Great job!

Wordplay Thursday is a great way to the get the creative juices flowing and get some songs started. But what about finishing songs? Sometimes that can be more difficult. That’s why I’ve written “Finish Your Song! 20 Ways To Overcome Creative Roadblocks.” Click here to find out how to finish more songs faster and better. Or click on the image below. Thanks!

God Bless,

Brent

finish cover 3D

Songwriting, Joy, And God

Man vs Row

WARNING: This post contains full frontal Christianity. It’s also about songwriting. So if you either don’t like Christianity or don’t like it mixed with your songwriting… go ahead and stop reading, and I’ll see you back here for Wordplay Thursday. Now, for the rest of you…

If you’ve read MvR posts such as “Songwriting Is My Isaac” and “Songwriting: My Highest Self” you know some of the struggles of my heart. I tend to make songwriting an idol.

I’ve always had a little bit of an old school (as in Old Testament) view of idols, I guess. Not the “golden calf” version, really, but the “anything you put ahead of God in your life” version. I took it mainly as: don’t let songwriting crowd out my Bible study or prayer time (guilty), don’t write songs for financial benefit or career advancement that go against my spiritual beliefs (guilty), etc.

But when I go deeper, it gets tricky. After all, I would spend hours on a song, but I don’t spend hours in prayer or Bible study. When I had a publishing deal and wrote full-time, I definitely spent more time on my “job” than I did focused on God (though, at times they were one in the same). But we have to make a living, right? So that’s not automatically making your work (whatever it is) an idol. It’s something deeper.

If you read last week’s post, “Songwriter, Which Voice Will You Listen To?” you know I’m going through a time of listening. I’ve been trying to get some sort of direction from God, some next step for my career/work/music. But, as He’s done with me in the past, He’s gonna work on my heart BEFORE He works on my career. Almost as if making me like Christ is more important than making me like Don Schlitz or Tom Douglas or something. Go figure.

Here’s what I’ve been hearing.

I’ve made an idol of self. And songwriting and success is a part of that idolatry. I’ve focused more on that than I have on Him. Not only that, but I’ve found more JOY in music and success than I have in Christ. And that’s idolatry, too. Maybe you’ve seen me post this image before:

0 Coming Up For Air

I’ve really felt that way. I often feel like I’m holding my breath during my day job. When I finally get to write is when I’ve felt most like myself. (Well, that and when I play with my kids. But thank the Lord I get to see them every day so there isn’t that kind of tension built up like it is in the stretches between cowrites.)

But why doesn’t going to church feel like coming up for air? Why doesn’t my (mostly daily) Bible study feel like coming up for air? I was MADE to be in relationship with God, to glorify Him. I was CREATED to find my ultimate joy in Him. Not in anything else.

There’s nothing wrong with songwriting. Nothing wrong with having a passion for it and enjoying it. But it should not bring me more joy that my relationship with Christ. Maybe it’s because writing a song is more tangible? My cowriter and I are sitting across the coffee table from each other. We hear the song come to life. We laugh. We tell stories. And we might even get a worktape at the end of it!

How do I do that with God? How do I have that kind of relationship or experience with Him? How does my private prayer time become the highlight of my days and weeks?

Honestly, I don’t know.

But I know it’s not only possible, it’s required. I’ll never really find joy, peace, or contentment until He is my highest joy and focus. I’m not saying that God will remove songwriting from my life. I sure hope it doesn’t come to that! But if it consistently pulls me away from Him, it NEEDS to be removed.

Actually, I DO know how to make God the greatest joy of my life. I have to trust the Holy Spirit to work in my heart and make that change in me. I certainly can’t do it myself. Even if I could, who gets the credit for that? I would. And that would be more “self” doing the work and getting glory. God has to produce this change in me, so He gets all the credit and glory. I just have to trust Him to make that change. To be open to and submit to His work in my heart. Even being able to submit to His work in my heart will take an act of His grace.

It’s ALL from Him, not from me.

So, there you go. I need to find my ultimate joy in the Lord. For now, that’s my “next step.” Thanks for hanging in there with me, guys. I hope, that in some way, sharing this part of my songwriting and spiritual journey will help you on yours.

God Bless,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Wordplay Thursday #104

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“That shirt’s as ugly as _____.”

I’ll give you an example to get you started:

“That shirt’s as ugly as an “F” on a report card.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

And thanks to Tommy Kib, Linda Keser, Buddy Lewis, Ken Matthiesen, Jeff Green, Mark Westendorf, Jim and everyone else for your great additions to Wordplay Thursday #103 (read it here)! Great job!

Would you like the opportunity to ask YOUR questions to the songwriter of Kelsea Ballerini’s #1 hit, “Love Me Like You Mean It?”  I’m hosting a special “KNOW THE ROW” web videoconference with one of the songwriters, Lance Carpenter on August 25!  I’ll be asking him my questions, and he’ll also be answering YOUR questions!

In just 4 years in Nashville, Lance has landed both a publishing deal and a #1 single- he’s someone we call ALL learn from!  There are only a few spots left for this intimate, live event, so don’t delay!  Click on the image below, or CLICK HERE TO LEARN MORE AND TO RESERVE YOUR SPOT FOR A CONVERSATION WITH LANCE CARPENTER!

God Bless,

Brent

Know The Row pic 2

Songwriter, Which Voice Will You Listen To?

Man vs Row

You have a choice.

You can listen to the voice in your head that says…

 

“You’ll never make it.

Your dreams are too unrealistic.

The mountain is too steep.

Goliath is too big.

Accept the life you’re living and stop trying so hard.”

 

Or you can listen to the voice in your heart that says…

 

“Pick up the pen.

Pick up the guitar.

Sit at the piano.

Create.

Feel alive.

Strive.

Give it everything you have – even if you fail, you’ll know you did your best.

Enjoy your gift.”

 

Which voice will you listen to today?

Do you struggle with a voice in your head competing with a voice in your heart? I do, sometimes. Or maybe the voice isn’t coming from your head but from your family and friends.  “Get a real job.  Make some money.”  What do the voices tell you, and do you respond differently than you used to?

Let me tell you about back when I was in graduate school at Arkansas State University.  I had been bitten by the songwriting bug a few years before, and I dreamed of moving to Nashville to be a pro songwriter.  But I knew the odds were long.  And I was also single and lonely.  (A bug that had bitten me way before songwriting did.)  So I started praying about it and listening for God the best that I knew how.  And I stuck with it- asking and listening. Asking and listening.  And listening.

Then one day, a nice Christian woman and fellow grad student came into work with a big smile on her face.  She said, “Brent, I’m so excited to see you!  God gave me a word for you while I was praying this morning!”  (I had not been telling her about the asking/listening journey I’d been on- or its subject matter.)  She said, “The Lord told me…

He has the perfect woman for you.

Music is in your future.

The songs will come.

The music will come.

Wait on Him.

He is listening.

He will provide for your finances- don’t look to the world.

Keep looking to Him.”

Needless to say, I was stunned!  And completely humbled.  Like I said, I hadn’t told Glenda that I’d been asking about those things, but the word addressed my questions.  It lined up with scripture (look to God, wait on Him, He will provide), and I knew Glenda to be a sincere prayer warrior.  So it felt trustworthy.

That was in 1998.  I didn’t move to Nashville until 2002.  My first cut wasn’t until 2004, and I didn’t meet Emily (my wife) until 2005.

No wonder He said to WAIT on Him!  But I believed that word from from God.  I typed it out, kept it where I could see it, and held on to it when both Nashville and my future wife felt so far away.  It wasn’t easy sometimes.  It’s still not easy sometimes.

The Lord never promised that I’d make a living as a pro songwriter for the rest of my life.  He never promised a huge house and an easy ride.  No, He just said He’d provide.  And He has.  Every part of that word has been kept.  And I’m thankful.

Sadly, God usually has to make me pretty uncomfortable before I really dig in and start listening for a word from Him.  (I tend to charge ahead in my own power with my own plans.)

But now I’m in another time of asking and listening.  I know if I ask and listening long enough, sincerely enough, that He’ll speak.  If I sincerely want to be in His will, not just looking for permission to do what I want to do, He’ll let me know what the next step is.  Even if it’s just to wait on Him.

I didn’t plan on getting all preacher on you this morning, but there you go.  Part of Man vs. Row is to give you the inside view of a songwriter’s life and journey.  This is a huge part of mine, and I want to be honest with you about it.

What about you?  Are you asking and listening, too?  Or are you on the waiting part?  Has there been a word fulfilled?  I’d love to hear from you- and maybe we can even pray for each other…

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Wordplay Thursday #103

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“She gives her baby kisses like _____ give(s) _____.”

I’ll give you an example to get you started:

“She gives her baby kisses like clouds give rain.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

And thanks to Ken Matthiessen, Tommy Kib, Buddy Lewis, Barney Coulter, David Michael, Linda Wilson, Jim, Kim Kondrashoff, Joe Slyzelia, Debbie Convoy, Linda Keser and everyone else for your great additions to Wordplay Thursday #102 (read it here)! Great job!

Wordplay Thursday is a great way to the get the creative juices flowing and get some songs started. But what about finishing songs? Sometimes that can be more difficult. That’s why I’ve written “Finish Your Song! 20 Ways To Overcome Creative Roadblocks.” Click here to find out how to finish more songs faster and better. Or click on the image below. Thanks!

God Bless,

Brent

finish cover 3D

Small Details Make Your Song More Believable

Man vs Row

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

There is power in finding images that go deeper than the obvious or cliche images.

I had a publisher tell me once, “write about the truck from the INSIDE THE CAB, not from the OUTSIDE.”

Too many writers (and I was obviously guilty of this) write about “the truck”- the situation in the song- from the outside. They describe it using imagery and details that anyone who isn’t IN that situation could use. It’s the obvious ones. And, usually, it’s the cliche ones.

Our job is to dig deeper.

Dig Deeper

We need to use our memory, our imagination, research, and whatever we have at our disposal (including our cowriters), to write from the inside of the truck.

That’s what I tried to do with my Alan Jackson cut, “Monday Morning Church,” and it made a big difference.

Once the situation was decided- the man had lost his wife, who was the more spiritual of the two and his anchor- the trick was to figure out “what does this look like from the inside?” The results were the opening lines:

You left your Bible on the dresser

So I put it in the drawer

‘Cuz I can’t seem to talk to God

Without yelling anymore

Yes, the part about yelling at God is a bold, raw, and real way to start off a song. But the first two lines are really important, too. They balance the big, bold statement by giving the listener something small, real and believable. It also sets up “God” in line three.

Use inside details, but be sure and use details that make sense to the listener. Be inside but not too inside. In our truck analogy, write from inside the cab, which people can understand. Don’t write from so far inside the truck that you’re in the carburetor and only a mechanic knows what you’re talking about.

Also, keep the images relevant. They should add to our understanding of the characters or story, not just be filler. In our “Monday Morning Church” example, the fact that she left her Bible on the dresser is very telling. It’s HER Bible. She reads it often enough that she keeps it out where it’s handy. The next lines show the listener, in pictures, that he’s putting it out of his sight because he’s too angry at God.

So next time you write, take your time. Close your eyes and imagine the situation. Then climb into the truck.

What are some other songs that do a good job of writing from inside the “truck?” Do you find that this comes naturally to you, or is it a struggle?

Knowing simple things like this is how you write stronger songs- and market-smart songs (songs that have a competitive advantage in the market).  If you want to  learn more about how to write market-smart songs, check out my ebook, “Cut/able: Lessons In Market Smart Songwriting.”  Click on the image below or click here to write market-smart songs.

God Bless,
Brent

cutable 3d final white

 

Wordplay Thursday #102

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“Her leaving left him as torn up as _____.”

I’ll give you an example to get you started:

“Her leaving left him as torn up as a woodchuck in a woodchipper.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

And thanks to Trevor, Kim Kondrashoff, Ken Matthiessen, Buddy Lewis, Janet Goodman, Barney Coulter, Eric Tingstad, Brenda Karl, Joe Slyzelia and everyone else for your great additions to Wordplay Thursday #101 (read it here)! Great job!

God Bless,

Brent

LEARN FROM A HIT SONGWRITER!

I’ve added TWO 1-to-1 coaching sessions for THIS WEEKEND, Saturday, July 25 and Sunday, July 26. In this live, one-hour one-to-one coaching session, I’ll give you feedback on your songs, offer career advice, help you tweak a song idea, etc. Basically, it’s my hour to be a resource for you in any way I can.  To find out more, click on the image below!

1-to-1 Coaching

Songwriter, are you working IN your business, or ON your business?

SWP 4

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Sometimes, I get so busy working IN my songwriting business that I forget to work ON my songwriting business.

Let me give you an example.

When I signed my publishing deal with Major Bob Music in early 2005 (my first publishing deal), I was an unknown songwriter who had an Alan Jackson single climbing the charts. “Monday Morning Church” would eventually land in the Top 5, I would be nominated for the Music Row Breakthrough Writer of the Year, the song would be one of only 12 voted that year by NSAI’s pro writers as a “Song I Wish I’d Written,” and it would also win an ASCAP Airplay Award. 2005 was an incredible year.

How did I respond to this blessing? I wrote my backside off!

I dove headlong into writing full-time. That year, I finished 102 songs. I wrote like crazy. That’s pretty much all I did. Write, write, write, rewrite, and occasionally demo.

And it was a mistake.

I spent too much time working IN my business and not enough time working ON my business.

Working IN my business included scheduling cowrites, songwriting, rewriting, and demoing. And I did plenty of all of that. And those aren’t bad things. After all, nobody else can write my songs for me. And without songs, I have no business.  Still, though…

I wish I had worked ON my business more.

I work ON my business when I’m doing the higher-level strategic thinking and planning that make sure that my activities are the right activities. Working ON my business is doing those activities which will give my songs a better chance to succeed. And I had every chance to succeed.

Like I said, 2005 was an awesome year, and it opened a lot of doors for me. Additionally, the guys at Major Bob asked who I’d like to write with, and they helped book some cowrites for me. They also pitched my songs and set up some demo sessions. All good things.

But if I had it to do over, I would’ve spent more time:

1. …having Major Bob introduce me to A&R reps and producers around the Row so I could start building relationships with them, and pitching my own songs.

2. …investing in my craft and business knowledge. Sure, I learned by writing a lot and writing with a lot of better writers, but I should have sought out some great, high-level mentors to accelerate my learning curve on both the craft and biz sides of songwriting. I should have asked a lot more questions over a lot more lunches.

3. …seeking out strategic cowriting relationships. I mostly jumped at every cowrite that came my way without much consideration. That kept me so busy that I didn’t spend as much time SEEKING OUT my best cowriters.

4. …building the “Baxter Brand.” While the Major Bob crew flew my flag around the Row, I should’ve done a lot more flag waving myself.

Working ON my business more would’ve helped me write songs that were more well-written, more marketable, and heard by more decision-makers, sooner.

Yes, my songs got better because I wrote a ton (and, yes, they needed to get better, so writing a lot was a good thing). My network slowly expanded organically. And I eventually started pitching my songs. And these are things that have brought my best results.

Working ON my business would’ve gotten me there faster.

So what about YOU? Do you need to spend more time working ON your music business? What activities are the ones which will accelerate your success? And what are the activities that are fun, but are working IN your business? I’d love to hear your comments!

God Bless,

Brent

A GIFT FROM BRENT

Thanks to those of you who have already downloaded my book, Think Like A Pro Songwriter! It gives you insight into valuable things like “how to connect to a music publisher,” “how songwriters know who’s looking for songs” and more!  You can get it FOR FREE at www.GiftFromBrent.com or by clicking on the image below. Enjoy!

 

Wordplay Thursday #101

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“I love you like _____ loves _____.”

I’ll give you an example to get you started:

“I love you like Billy Graham loves Jesus.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

And thanks to Andrew Cavanagh, Dionne Kumpe, Tommy Kib, Ethan Fogus, Ken Matthiesen, Sharon Mason Palmer, Janet Goodman, Bobby Pizazz, Brek, Mark Johnson, Bill Soprano, Buddy Lewis and everyone else for your great additions to Wordplay Thursday #100 (read it here)! Great job!

Wordplay Thursday is a great way to the get the creative juices flowing and get some songs started. But what about finishing songs? Sometimes that can be more difficult. That’s why I’ve written “Finish Your Song! 20 Ways To Overcome Creative Roadblocks.” Click here to find out how to finish more songs faster and better. Or click on the image below. Thanks!

God Bless,

Brent

finish cover 3D