Songwriters, Pick Your Pain

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Success comes at the cost of comfort.  And once you’re hooked by the dream of writing songs for a living (or just getting a song cut) pain is unavoidable.  So pick your pain.  You can either have the pain that comes from trying or the pain that comes with not trying.

There’s pain in putting your songs out there just to have them rejected.  There’s pain in getting up early to write before you go to your “day job.”  There’s pain when you cut back on eating out so you can pay for a demo.  And there’s the possible pain of failure- of never getting that cut or getting to make a living writing songs.

But on the other side, there’s pain in knowing you didn’t try.  There’s pain in not knowing what might’ve happened if you had really put your heart into it.

If you have a dream, pain WILL happen.  So… which pain will you pick?

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

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If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Cut Study: Drew Gregory, “Farm Hands”

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Drew Gregory is an indie Canadian country artist from Alberta.  He gets some radio airplay and TV exposure, and he’s building his career.  He ended up cutting a song of mine called “Farm Hands,” which I wrote with Jaron Boyer and Chris Hennessee.

The story of how Drew got the song is pretty interesting, and I’ll let Drew tell you in his own words.

“A song that was not even originally pitched to me managed to find its way on to our album.  I was sent a DropBox by my producer, Aaron Goodvin, with a bunch of songs to consider but within the DropBox, another folder was accidentally sent.  I was never meant to see it, but I thought it was just too good a song to let go.  I remembered the tune, and months later when we were making final selection of songs for the album I let Aaron know I wanted it.  He worked his magic and we were able to cut “Farm Hands” as a perfect addition to our ‘farm boy’ themed record!”

The takeaway for me is a reminder that a song is like a message in a bottle.  After we write the song, we throw it out into the ocean.  After that, we don’t control where it goes or who gets it.  Surprises like this are part of what keeps songwriting fun and exciting.  Thanks to Drew and Aaron for the cut- it sounds great!

You can check out Drew’s music at: www.drewgregorymusic.com

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #33

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Hey, ya’ll,

Sorry I’m a day late.  We just brought ‘lil Ruby Jean home from the hospital yesterday, and it was a busy, busy day.  And just to fully welcome us to the world of having multiple kids, our son, Ozzy, was (and is) sick with a cough and fever.  Ah, parenthood!

Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“They snuggled up closer than _______.”

I’ll give you an example to get you started:

“They snuggled up closer than two sides of a sheet of paper.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #32 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

Wordplay Thursday #32

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“She’s makes me as happy as _______.”

I’ll give you two examples to get you started:

“She’s makes me as happy as a robin with a worm.”

“She’s makes me as happy as a brand new daddy.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #31 (read it here)! Great job!

NOTE:

My wife and I are expecting our 2nd child, a little girl, on Monday morning.  So you might not hear from me much next week.  I hope you have a great one, and I’ll see you when I see you!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

Don’t Count Lines

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

When you write a song with a cowriter, it’s standard practice in Nashville to have even splits between all the cowriters, no matter how much they contribute.  This means every writer on the song owns an equal share of the copyright.  I’ve heard stories of writers who “count lines” when determining their percentage of ownership of a song.  I am REALLY not a fan of this, for a few reasons.

Generosity wins.  This time, maybe your cowriter only contributed a few lines, if that.  Well, next time, they might contribute more than you.  It should all even out in the end, if you’re well-matched cowriters.

I want my cowriters focused on making the song the very best it can be.  I don’t want it to become a competition over who gets the most lines and the most credit.  Serve the song, not your percentage.

It’s impossible to tell who really wrote the line.  Maybe you got the final wording right, but you only got there based on a line suggested by your cowriter.  You wouldn’t have gotten to that line by yourself, so you BOTH created it.  It’s a collaboration.

And, lastly, counting lines is a good way to alienate your cowriter and make them less likely to write with you again.  Especially in a town like Nashville.  Be generous and win!

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

5 Things Songwriters Should Quit

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

It’s hard to quit.  Society says, “never quit.”  Maybe you’ve invested so much in whatever it is that you feel it’s too late to quit.  Pride doesn’t want you to move on.  But sometimes, the only way to win is to quit.  Here are 5 things songwriters should quit doing.

1. Toxic relationships.

If you have “friends” or cowriters who habitually belittle your dreams or always point out why something won’t work, it might be time to find new friends and cowriters.  Yes, we need people that love us enough to be honest with us even when it’s unpleasant.  But some people are energy vampires who will only drag you down.  Figure out who’s who, and act accordingly.

2. Whining.

Don’t be somebody else’s toxic relationship.  A negative attitude not only drives away positive people, it blinds you to opportunity.  If you always focus on the closed door, you might miss the open window.

3. Misaligned cowrites.

You want to write hit country songs, but she wants to write niche novelty songs.  Or you both want to write hits, but his songs sound like 1952 and he refuses to update his sound, meet with publishers, rewrite, or pitch his songs.  Those might be fine “hobby writes,” but you should quit thinking they’re “hit writes.”

4. Lazy artists.

An aspiring artist may have a great voice and be a good writer, but if they don’t want it badly enough, it doesn’t matter.  If they don’t take their career seriously, you can’t take their career seriously, either.

5. Demoing & pitching mediocre songs.

Mediocre songs will not change your life.  But they can take your time and money if you demo them.  Then, if you make a habit of pitching them, you’ll be known as a mediocre writer.  (You don’t always know before writing your song if it’ll be mediocre.  That’s fine.  But you should know it’s mediocre before you demo it.)

Part of the advantage of quitting is that it makes room in your life for better things.  Negative relationships can be replaced with inspiring relationships.  Misaligned cowrites can be replaced with properly-aligned cowrites.  Lazy artists can be replaced with serious artists.  The time and money you spend on mediocre songs can be spent finding, writing, and demoing better songs.

Win by quitting.

God Bless,

Brent

PS…

I wouldn’t pretend that this list is exhaustive.  What would you add to the “quit list?”

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If you like this blog post, please share it with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Wordplay Thursday #31

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Here’s a writing prompt for you. It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“She’s as honest as _______.”

I’ll give you an example to get you started:

“She’s as honest as her third glass of wine.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to everyone for your great additions to Wordplay Thursday #30 (read it here)! Great job!

FOLLOW AND SHARE THIS BLOG

Hey, ya’ll. If you like this blog, then make sure you don’t miss a single post. Subscribe by entering your email address in the “Follow Man vs. Row via E-mail” box either in the top righthand corner or down below. And I love it when you share this blog through facebook, Twitter, and wherever! Thanks!

God Bless,

Brent

The 4 Cornerstones Of Songwriting Success: W.R.A.P.

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

I believe there are four cornerstones to professional songwriting success. You can remember them by the acronym, “W.R.A.P.” They are:

1. Writing

This one’s pretty obvious. We’re songwriters, aren’t we? If you’re a writer… write. If you don’t write, there’s nothing to get recorded. And it’s not enough to just write every once in a while. Write hard, write consistently.

2. Recording

It’s not enough to have scratchy worktapes if you want someone else to cut and release your song. You have to get a good recording of your song- one that presents it in a good light. This could be a guitar/vocal, a full demo, or something in between.

3. Accessing

A great demo does you no good if you can’t get it into the hands of someone who can do something with it. Accessing is building relationships and otherwise gaining accesss to singers, publishers, labels, producers, etc.

4. Pitching

You have to ask for the cut, as simple as that. You have to give publishers, artists, etc. the opportunity to say “yes” to your song.

Note that each of these are cornerstones – you won’t have a stable, well-functioning career if you neglect one or more of them. I’m not saying you should spend equal hours on each of these areas, but you should give them the proper amount of time based on your particular situation.

WRAP is also good for helping you focus on what’s important. If an opportunity comes up, compare it to WRAP. If that activity doesn’t fall into one of those categories, it might not be a wise use of your time.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask? Leave a comment! Are there any topics you’d like to see addressed in a future MvR post? Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post! Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page. It’s either in the upper righthand corner or down below. Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music: http://www.brentbaxtermusic.com

Write What You Know… Or What Your Cowriter Knows

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Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

If you haven’t experienced the country lifestyle, you probably can’t write about it believably.  Write what YOU know – don’t try to out-redneck a redneck.  However, if your cowriter is a legit country boy or girl, draw from his or her experience.  This expands what you can write about believably.  Teamwork.

God Bless,

Brent

YOU VS…

Anything you’d like to add or ask?  Leave a comment!  Are there any topics  you’d like to see addressed in a future MvR post?  Thanks!

FOLLOW AND SHARE THIS BLOG

If you like this blog, don’t miss a single post!  Subscribe by putting your email in the “Follow Man vs. Row via E-mail” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Helping songwriters turn pro.