Category Archives: Think Like A Pro

Song Title Challenge #19: Faith And Consequences

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Song Title Challenge #18: “American-do Attitude” or “Mr. Opportunity”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Six songwriting tiebreakers that can make or break your cut

Let’s say you’ve written a very, very good song and it’s on hold for an artist named Luke Paisley.  There’s room for one more track on the album, and the choice is between your song and one other.  Which one are they gonna cut?

The artist likes both songs, so it’s basically a tie going in.  That’s when the tiebreakers might kick in.  These tiebreakers may include…

Personal relationships.

Is one of the songs written or published by a friend of the artist?  It’s more fun to call your buddy and say you just cut his song than it is to explain that you didn’t.  Same goes for the producer’s relationships.

Business interests.

Would a publisher, manager, or someone else owe the artist or feel thankful if the artist cut one song over the other?  Is there some hidden long-term advantage to be gained?  Or would the artist, label or producer be returning a favor by cutting a particular song?

Read on if you want to learn more of these tiebreakers.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Financial interests.

If the artist or producer is a writer or publisher on one of the songs, he makes more money by recording that one.  Same goes if the label has publishing interest on one song or the other.

Safer bets.

If one song is written by a proven hit songwriter and the other isn’t, the artist (and his team) may lean towards the hit writer’s song.  Since it’s always a bit of a guessing game as to which songs are hits, a song written by a hit writer feels like a safer bet.

Branding.

Does one song fit the artist and his brand a little better?  Will it speak to his audience in a way that’s a little more “on point?”  That can make the difference.  Or is one song too much like what he’s already recorded, and it doesn’t take him anywhere new?

Singability.

Is one song more easy and/or fun to sing?  Does one song have some weird, jumbled, hard-to-nail phrasing or some this-will-kill-my-voice notes?  That might just knock that song out of the running.  Of course, some artists make their living on those big money notes, so it really depends on the artist.

Now, you obviously can’t control which songs are your competition.  And you can’t control the interests of the people on the artist’s team.  (As a music biz veteran once told me, “they’re not anti-Brent.  They’re just pro-something-else.”)  

All you can control are the songs you write, so do what you can to give them the best chance to win.

Write the very best song you can.  Always.  But also spend time thinking about the tiebreakers and how you can turn them in your favor.  It’s not easy, and it won’t happen overnight.  But if you are mindful of this stuff as you build your career, it’ll pay off big time down the road.

What about you? What are some other tiebreakers I might’ve missed?  I’d love to hear your thoughts!

Also, if you’re looking for an opportunity to connect with some music business, I have a great opportunity for you.  In August, I’m hosting a “Know The Row” event with a music business pro!

On August 14, you can hang out online and ask YOUR questions to music publisher, Scot Sherrod, of Rare Spark Media.  Scot has had his hand in several hit country songs, and his current roster includes rising country star, Walker Hayes (“You Broke Up With Me” and “Craig.”)

This is YOUR chance to sit down face-to-face (online) with a real-deal music biz professionals.

You and I both want to learn what Scot has to share!

Here’s the deal.  You can join us online from anywhere in the world on Tuesday, August 14, 2018 from 7pm-8pm Central time.  And “Know The Row” events are FREE to members of Frettie.com!  (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)

CLICK HERE TO GET ALL THE DETAILS & MEET HIT MUSIC PUBLISHER, SCOT SHERROD .

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #17: “In Pieces Together”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Your song’s title is like a movie trailer. Does it make anyone want to watch?

Songs are like mini movies. And your song’s title is the trailer for the movie. If a movie has a boring trailer and no star-power, people won’t be lining up around the block to see it. And if your song has a boring title, the music industry won’t be lining up to listen to it.

Sure, you might still pay to see a movie with a bad trailer- if it stars one of your favorite actors. You’ll give the movie a shot if it has The Rock or Brad Pitt in it. After all, you know you like those guys, and they’ve earned your trust.

In the same way, fans will give a song with a boring title a listen if one of their favorite singers is singing it. You can probably think of a few “boring-title” songs you like from major artists. But there’s the bad news for you…

YOUR song is NOT starring Brad Pitt or The Rock.

If you want more people to listen to your songs, read on.

________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

It isn’t sung by a major artist YET. And unless you or your cowriter is a star songwriter like Tom Douglas or Shane McAnally, it’s just a demo without any star-power.

Here’s the thing. You haven’t earned the benefit of the doubt from publishers and producers. They don’t know you, so they aren’t impressed by your name. So they better have some reason to pick your song out of the too-many-to-listen-to stack in their inbox or on their desk.

Your song’s “trailer” better be compelling.

A movie might be great, with a great story, great acting and a lot of plot twists. But if the trailer makes it look boring or predictable, we may not feel a need to ever see the movie. We might just assume it’s a retread of a hundred other movies we’ve already seen. We won’t know how great it really is.

Likewise, your song might be sonically hooky and amazing, but if the title is a worn-out cliche’ like “I Love You” or “You Broke My Heart Again,” music industry professionals will assume it’s a boring, predictable, cliche’ song. They’ll assume that listening is a waste of time, and they’ll bump it back to the bottom of the stack. And they’ll probably never get to the bottom of the stack.

Write more interesting titles if you want more people to hear your songs.

And this doesn’t just apply to music industry pros. If you share your songs in a Facebook group like the one Songwriting Pro has (link here), other writers are more likely to listen if the title is interesting.

After all, aren’t YOU drawn to intriguing titles? Don’t certain titles make YOU want to listen to the song? Are YOU more likely to click on an interesting song title or a cliche’, boring one?

If you want to write better titles, better songs, and earn the attention of more listeners, I have a great opportunity for you.

In the month of July, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #16: Super Model

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Here’s how to be a happier, more successful songwriter.

I hate to tell you, but nobody really reaches songwriting success.  But you can experience it.

Sure, certain songwriters might get a song recorded.  Maybe they even get a bunch of songs recorded.  Maybe a few of them become hits.  But do they ever reach “songwriting success?” I don’t think they do.  I don’t think anybody does.

But this doesn’t mean you should quit writing.  It means you should keep on writing!

If you want to be a happier, more successful songwriter, read on. ________________________________

To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Here’s the deal.  I don’t think songwriting success is a destination.  I believe it’s the journey itself.

Here’s the thing about a journey: it has movement.  You don’t sit still.   You move. You make progress.  Sure, sometimes you might slide back down the hill, get lost, or take the long way around. But that’s all part of the journey.  And it’s okay.

Ever get stuck in bad traffic?  I’m one of those guys that would rather take a detour that I KNOW is a few minutes or miles longer just because I’d rather be moving than sitting still.  Why?  Because…

The “success” we experience as part of the journey is just that- a part of the journey.  It’s not a destination.  Cuts, hits, whatever… they’re evidence of success, but they aren’t success all by themselves.

Writing better songs is success.  Forging new, stronger relationships is success.  Cuts and hits are outward signs that sometimes mark our journey, but they aren’t success.  They are evidence of progress, and progress is success.

That is why the most successful writers keep working so hard.  They don’t just get that first #1 hit and coast.  Surely, they’ve reached success, right?  If so, why do they keep working so hard, day in and day out? Because it’s progress (success) to write a new song that they love.  It’s progress (success) to write a better song than the last one.  It’s progress (success) to build their catalog and discography.  It’s progress (success) to climb the cowriting ladder.

Humans are wired to be happier when we’re making progress.

True story: my 1st year in Nashville was probably happier than my 5th.  Why?  Because my 1st year was full of progress!  When you start with almost nothing, almost everything is progress.  Every song was a step forward.  Every new cowriter was a big deal.  Every time a publisher heard one of my songs, it was a huge win (even when they passed).

The first time a major artist (Tim McGraw) heard one of my songs, it was an amazing, fist-pumping, made-my-month event.  And he passed on my song!  So why was it such a big deal?  Because it was progress.  A major artist had NEVER heard one of my songs before. But that day, one did.  That was unbelievably exciting.

By my 5th year in Nashville, a top 5 hit was behind me, and I was in my 3rd year of a publishing deal.  I was trying to climb back up “Hit Mountain.”  I was writing every day and not doing the day job I had in that 1st year.  And my songs were better, no doubt.  I was getting some holds, and a little activity.  But was I happier?  I don’t really think so.

Don’t get me wrong, it was still great.  But I wasn’t making as much progress as I did that first year, and those smaller gains were harder to make, so it wasn’t quite as exciting.

Want to be happier with your songwriting?  Make progress.

Learn some new chords.  Learn a new songwriting technique.  Reach out to a new cowriter.  Dig deeper and write your best song yet.  Develop a songwriting calendar where you set appointments with yourself and start to feel like a professional (even if you don’t have the awards yet).

Let yourself feel the excitement that comes with progress.

Don’t ignore it or feel that it’s beneath you.  Don’t hold off celebrating until you get that #1 or whatever you’ve defined as success.

Keep making progress.  That IS success.

Sometimes cuts and recognition flow from it.  But sometimes, cuts don’t happen.  You can’t really control that.  But you can control whether or not you’re becoming a better songwriter.  You CAN control whether or not you make progress.

I want YOU to experience a successful songwriting journey, so I want to help you make progress.

In the month of July, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your idea for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished. Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, never get on the radio, and never change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #15: “Skip The Rocks”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Song Title Challenge #14: “Don’t Wanna Train Another Me” or “Campfire Therapy”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON iTUNES –  HERE FOR STITCHER (Android) – HERE FOR THE C.L.I.M.B. WEBSITE

Get into a pro songwriter’s mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

5 Ways To Ruin A Publisher Meeting

Let’s say you’ve leveraged your networking and songwriting skills to finally land a meeting with a music publisher. Congratulations! Now, don’t screw it up.

No pressure, right? Don’t worry. I’m here to help. To keep you from ruining this opportunity, here are five things you SHOULD NOT do in a publisher meeting.

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Okay, let’s dive in!

1. Don’t be an ask-hole.

Don’t focus on your needs and what the publisher can do for you. It’s okay to share your goals with the publisher. That clarity will help the meeting. But don’t beat them over the head by asking for cowrites with their writers, hook-ups with a producer or artist, hook-ups with a PRO, helping you land a round at the Bluebird Cafe, or for more of their time that you originally agreed to. This is not all about you. Publishers are looking for songwriters who solve the publisher’s problems. Publisher’s aren’t in business to solve problems for you.

2. Don’t talk bad about other songs or songwriters.

Nashville is a small town, and there’s a decent chance that the publisher knows someone involved with that song or artist. Heck, the publisher may even publish that song or songwriter! (Same goes for any major music center: New York, LA, etc..) It’s okay to state that certain things aren’t your cup of tea. That helps the publisher understand your artistic voice. But draging a song, songwriter, or artist through the mud won’t be helpful. The point is how YOU get better, not how you wish someone else were “better.” It’s unprofessional. Besides, publishers operate in a rough, frustrating, failure-heavy business. If you’re ALREADY negative, why would they want to spend more time with you?

3. Don’t disrespect the publisher’s time.

If you asked for a 15-minute meeting, stick to the 15 minutes. Even if you don’t have an agreed-upon meeting length, it’s better to make things short and sweet. After a little bit, volunteer to bail. “Well, I don’t want to take up too much of your time. I know you’re busy.” If the publisher wants to visit more, they’ll certainly tell you so. If they need (or want) to end the meeting, you’ve allowed them to do so in a way that helps them feel good. It’s uncomfortable and rude to overstay your welcome. Believe me, there’s probably nothing the publisher can tell you in that 20 minutes of overtime (“Just one more thing…” “Just one more song…”) that is worth being annoying and inconsiderate.

4. Don’t be arrogant or argumentative.

If confidence is good, overconfidence is even better, right? Wrong. Be humble. Take their feedback and advice with a teachable attitude. If they get the vibe that you think you already have it all figured out, that’s a turn-off. Even if you think the publisher is foolish not to fall in love with your song and see its obvious hit qualities, be humble. You can’t argue a publisher into loving your song. They’ll just end up disliking both your song and you. Be thankful for the opportunity, and tell them so. Sincerely.

5. Don’t be a total fanboy (or girl).

Yes, it’s cool to compliment the publisher about their writers or their success. Yes, it’s great to express appreciation for their time and let them know you respect them. But please don’t freak out and overdo it. If you gush too much, it’s unprofessional. If you act unprofessionally, like you’re just a wide-eyed tourist, the publisher won’t take you seriously as a songwriter or as a pro. Don’t fake like you’re a big shot, but try to act like you belong there. Be humble, but don’t humiliate yourself.

If you avoid these mistakes, it’s sure to help the quality of your next publisher meeting. Hopefully, you have great songs to play for them, too!

If YOU would like to play your song for a legit music publisher, our next Play For A Publisher event is coming right up!  Our next guest is Tim Hunze of Parallel Music.  Tim has worked closely with several #1 hit songwriters, and he’s been getting songs recorded by major artists for years.  If YOU have the songs, HE knows what to do with them!

CLICK HERE TO GET ALL THE DETAILS AND SEND IN YOUR SONG!

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.SWP 4