Category Archives: Think Like A Pro

Great Advice From Our December “Play For Publisher” Event!

Here are some great lessons from our December Play For A Publisher Event!

We recently had another great “Play For A Publisher” event. Our guest publisher was John Ozier of Ole’ Music in Nashville, Tennessee.  Today, I’d like to share some of the best takeaways from the evening.

Artists and producers are ALWAYS looking for uptempo.

Your song’s first line MUST hook the listener, or they’ll never get to the chorus.

Publishing companies live and die at Top 40 radio.

Find out who’s getting cuts- and work your way into that circle.

Write your truth.  It resonates with people.  For example, Lori McKenna songs are so real and honest that they jump through the speakers.

Publishers love when you can write a great song by yourself.

Not every song has to change the world.  There is space for fun live songs.

He is strategic when looking to add new writers to his company.  No writers at Ole are redundant.  Each is unique and fills a different niche.

Interesting phrasing and musical hooks are very important.

You HAVE to stay relevant to the times.  As much as you can write yourself into this business, you can write yourself out of it.

Radio won’t switch abruptly from one sonic quality to something totally different.  There’s a certain sonic common thread that runs through those radio songs.

Find your lane and do it better than anyone else.  You’re trying to stand out from among thousands of songwriters.

If you were there or watched the replay, what takeaways did YOU get from the session?  Please leave it in the comments!

I want to give another shout-out to all of the writers who joined us for the event. Ya’ll really represented the Songwriting Pro community well!

“Dirty Oar” by Jennifer Stricker, Mark Maxwell
“The Wrong Spirit” by David Micheal, Lauren McLamb
“Mom Life” by Heather Morgan
“Nice Tall Glass” by Marla Rubenstein, Tucker Bouler, Betsy Walter, John Cirillo, Dan Reifsnyder
“Indiana” by Daniel Leathersich, David Micheal
“Vintage” by Dave Quirk, Troy Castellano, Victoria Banks
“Sand” by Todd Dickinson, Jonathan Helfand
“Your Key Still Works” by Jayne Sachs, Joey Ebach
“Be Beautiful” by Donna King
“Beautiful Ever After” by Joe Slyzelia, Donna King, Emily Kroll

If YOU would like to play your song for a legit music publisher, our next Play For A Publisher event is coming right up!  Our next guest is Courtney Allen of BMG Nashville.  Courtney works closely with hit songwriters Travis Meadows, Wynn Varble, Lucie Silvas, and more.  If YOU have the songs, SHE knows what to do with them!

CLICK HERE TO GET ALL THE DETAILS AND SEND IN YOUR SONG!

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

SWP 4

Song Title Challenge #5: “I Forgot To Forget That I Love You”

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me live!  Then I have to figure out how to make it a hit… yikes!  Watch me blow up or flame out.

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a top 10 in Texas, and a #1 in Canada… so far.

Song Title Challenge #4: “Raised In A Barn”

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me!  Then I have to figure out how to make it a hit!

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

5 Things You Must Know To Become A Songwriting Pro

Nobody can provide you with an exact roadmap on how to get from being an amateur songwriter to being a professional songwriter.  But here are five things you must know – and act upon – if you want to go pro.  Read on!

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

1. Nobody turns pro alone.

You have to build a network.  Songs move from hand to hand (or inbox to inbox) and into the right hands based on relationships.  These relationships can range anywhere from business acquaintances to best friends.  You MUST get to know people, and they must get to know your music.  Knowing the “right people” isn’t cheating.  It’s a vital part of succeeding as a pro songwriter.

2. “Professional” means your songs earn money.

In order to earn money, your songs have to have value in the market.  At the end of the day, some artist wants to record them, and a bunch of fans want to buy them.  To become a full-time songwriter or to get and keep a publishing deal, your songs have to earn income.  Your job is NOT to write songs.  Your job is to write songs that make money.

3. Songwriting is NOT your hobby – it’s your business.

If you treat it like a hobby, that’s all songwriting will ever be for you.  Just a hobby.  And that’s fine, if that’s your goal.  But if you want it to be a business, you have to act like a professional.  You have to treat it like a business.  The serious songwriters are the ones who get the serious cuts.

4. Good enough isn’t good enough.

To break into the biz, your songs can’t be “just as good as” the worst stuff on records and radio.  If an artist wants to cut mediocre songs, they’ll cut THEIR OWN mediocre songs, or their buddy’s or their producer’s.  Your song has to compete against everybody else’s BEST songs.

5. You WILL have to sacrifice.

The professional songwriters are the ones who have been willing to sacrifice.  They came home from their day jobs and picked up the guitar instead of the tv remote.  They spent their Spring Break in Nashville instead of at the beach.  They left family to move to Nashville.  They waited tables – even though they had a masters degree – just to be where the music is.  They don’t just TALK like they want success.  They WORK like the want success!

But you don’t have to just take my word for it.  If you REALLY want to go pro, you need advice from as many pro songwriters as possible.  And I have good news for you.

I’m gonna hook you up with an awesome multi-hit songwriter.

In February, I’m hosting Frettie’s “Know The Row” with hit songwriter, Byron Hill!  This is your chance to sit down face-to-face (online) with a real-deal professional songwriter. Since moving to Nashville and signing his first publishing deal in 1978, Byron’s songs have generated more than 700 recordings, and have been released on ninety-one industry certified Gold and Platinum albums and singles!  Wow.

You and I BOTH want to learn what Byron has to share.

Here’s the deal.  You can join us online from anywhere in the world on Thursday, February 8, 2018 from 7pm-8pm Central time.  And this special event is FREE to members of Frettie.com!  (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)

CLICK HERE TO GET ALL THE DETAILS & MEET HIT SONGWRITER BYRON HILL.

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

7 Ways Songwriters Can Stay Motivated

Whether you’re an amateur songwriter hoping to “go pro” or you’re a young pro trying to break through to the next level, a key element of success is simply to keep going.  But that isn’t always easy.

For every person pulling a U-Haul into Nashville, there’s someone moving back home because they just don’t have the heart anymore.  So, how do you give yourself the best chance to keep going?  Here are a few ways.

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

1. Connect with your “why.”

If you don’t have a clear understanding of WHY you write, it’s really hard to answer the dark-valley question, “Why should I keep trying?”  When the music biz knocks you down (and it will), you need to know why getting up matters.  Maybe not why it matters to the world, but at least why it matters to YOU.

Maybe you write because you know that’s how you’re wired, and you’ll go crazy if you abandon it.  Maybe you write to leave a legacy of song for your children’s children.  Maybe you write to share life lessons- to remind yourself as well as others of hard-earned truth.  Maybe it’s to prove to yourself that you can do it.  Or maybe you write to make people smile for three minutes in an often heartbreaking world.

Whatever drives you to write, you should have a clear picture of it.  The “why” is what will give you a reason to dust yourself off and get back in the arena.

2. Celebrate the small victories.

Don’t ignore or downplay the small victories- especially early in your journey.  Be grateful.  Let the little victories give you confidence and fuel for the journey.

These are YOUR victories.  They don’t have to meet anyone else’s standards of what’s worth celebrating.

For a few years, some buddies and I passed around a football- a “game ball” – when we’d have a music victory.  It got passed around for everything from indie cuts, publishing deals, big cowrites, 1st demo sessions, and more.  Those weren’t the victories that the biggest writers in town were probably celebrating, but they were new, positive steps for us.  It gave us a reason to celebrate together.  We also had a friendly rivalry going, because each of us wanted to “get the game ball” back on our own mantles!

3. Connect with a supportive community.

We all need people who encourage, support, and believe in us.  They can be online or face-to-face, family or friends, cowriters or non-songwriting creatives.  It doesn’t matter who they are, just that they will support you.  And be sure and support them, too!

If you’re looking for a supportive community, I suggest the Songwriting Pro Facebook Group and Frettie.com.  I host both groups, and I love watching songwriters like you making progress and earning new victories on your songwriting journeys.

4. Display visual reminders.

Remind yourself that you’re a songwriter.  Remind yourself of your dreams and goals.  Remind yourself of your victories.  Create a vision board with pictures of your songwriting-dream-come-true.

Get a good song review from a community like Frettie.com?  Print it out and hang in your writing space!  Score an indie cut?  Congrats!  It doesn’t matter if it goes gold, platinum or plywood- get a CD frame and hang it up to remind yourself that someone likes one of your songs enough to record it.

Also, keep your guitar and/or writing notebook out where they’re visible – and available.  Don’t keep them hidden in a closet or a drawer somewhere.  You’re a writer.  Don’t let yourself forget that.

5. Pace yourself.

This is a marathon, not a sprint.  Be persistent, but be patient.  You have to find a family/money/music balance that is sustainable over the course of years, not just months.

It might mean you can’t quit your day job just yet.  Maybe you can only write one night a week for now.  Sure, we all want instant gratification, but patience pays off.

Be patient.

6. Protect a positive attitude.

To stay in it for the long haul, you have to believe success is possible, and a lot of belief simply comes from your mind-set.

Seeing the glass as half-empty will cause your dreams to die of thirst.

Watch what comes out of your mouth.  Not only does what you say reflect what’s in your heart, it reinforces it.  Practice speaking positively- strengthen that part of yourself.

Had a bad publisher meeting?  Don’t focus on the disappointment.  Focus on what you were able to learn from that meeting (even if all you learned is that you have more to learn).  Get a song to an artist, but they didn’t record it?  Focus on the fact that you were able to actually get a song heard!  I bet that wasn’t always the case.  So you’ve made progress!

7. Make a new connection.

Yes, we’d all love to suddenly become best buddies with <insert your favorite artist or songwriter>.  But that’s probably not going to happen today or tomorrow.  But who CAN you reach out to?  Where can you become a blip on someone’s radar and begin to build a relationship?

The music business is based on both music AND relationships.  Sometimes when then music isn’t working like we’d hope, we can keep some forward progress by focusing on relationship-building.  “Well, Publisher X didn’t love my song, but I got to meet Hit Writer Z this week!”

And you know I don’t like to throw out suggestions without providing an opportunity to put them into practice.  So I have a really great opportunity coming up for you!

In February, I’m hosting Frettie’s “Know The Row” with hit songwriter, Byron Hill!  This is your chance to sit down face-to-face (online) with a real-deal professional songwriter. Since moving to Nashville and signing his first publishing deal in 1978, Byron’s songs have generated more than 700 recordings, and have been released on ninety-one industry certified Gold and Platinum albums and singles!  Wow.

You and I BOTH want to learn what Byron has to share.

Here’s the deal.  You can join us online from anywhere in the world on Thursday, February 8, 2018 from 7pm-8pm Central time.  And this special event is FREE to members of Frettie.com!  (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)

CLICK HERE TO GET ALL THE DETAILS & MEET HIT SONGWRITER BYRON HILL.

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Song Title Challenge #3: “Baby Blue Lies”

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me!  Then I have to figure out on the fly how to make it a hit!

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership of whatever you write, and you’re free to use any ideas I throw out.  I am NOT a cowriter on this.  Any ideas are simply my gift to you!

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Song Title Challenge #2: “Growing Wild”

Get into my pro songwriting mind!

Johnny takes a title submitted by a CLIMBer like you, and he springs it on me!  Then I have to figure out on the fly how to make it a hit!

If you want to submit a title, send it to Johnny at info@daredevilproduction.com.  It’s not a cowrite.  You keep 100% ownership, and you’re free to use any ideas I throw out.

If you’re a singer, songwriter or indie artist who wants to grow your career, THIS is the podcast for you!

The C.L.I.M.B. Podcast is live and ready for download!

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON STITCHER (for Android)

CLICK HERE TO LISTEN ON THE C.L.I.M.B. WEBSITE

The C.L.I.M.B. stands for “Creating Leverage In The Music Business,” and that’s the goal of this podcast- to help singers, indie artists and songwriters like YOU to create leverage in the music business.  What is leverage?  It’s “strategic advantage; the power to act effectively.”  We want to help YOU make stuff happen in the music biz.

It’s exciting to see how folks are digging the show- and being helped on their CLIMB.  If YOU like it, we’d really appreciate it if you’d subscribe and leave a rating or review on iTunes.  Positive ratings and reviews help us to climb the iTunes rankings so more people become aware of the show and we can help more singers, songwriters, and indie artists like you make The CLIMB!The CLIMB iTunes review 3

CLICK HERE TO LEAVE AN iTUNES REVIEW

CLICK HERE TO DOWNLOAD THE C.L.I.M.B. ON ITUNES

If you aren’t on iTunes, you can listen to the show at our website:

TheCLIMBshow.com

If you have an Android phone, you can subscribe to the show on:

Stitcher

Thanks for your time. It means a lot to me, and hopefully it’ll be a lot of help for you!

God Bless and keep C.L.I.M.B.ing,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Beat Second Verse Hell And Finish Your Song

Ever been trapped in “2nd Verse Hell?”

“2nd Verse Hell” is that lovely place you reach at the end of the first verse and chorus where you stare at the page for an hour, pulling out your hair and trying to figure out what to say next. I’ve been there, and it’s not fun.

Here’s a tactic that can help you beat 2nd verse hell.

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Sometimes the solution to 2nd Verse Hell isn’t what happens NEXT. Sometimes, the solution is what happened BEFORE.

Think of each section of your lyric, or even each thought, as a single playing card in a deck.

Shuffle the deck.

  • Take what you thought was your 1st verse and move it to the 2nd verse. Now what needs to be said in the 1st verse?
  • Maybe verse two is really the chorus and the chorus is really verse two.
  • Maybe you told too much in the 1st verse and you need to play some of those cards in the 2nd verse instead.
  • What happens if you make your chorus the 1st verse?  Or 2nd verse?
  • What if the last line (or thought) of verse one is really the 1st line of verse two?

Don’t be afraid to shuffle the deck several times. If you don’t like the result, you can always put the cards back in their original order. Go ahead. Give it a try.

Shuffling the deck just might change a losing hand into a winning one.

Shuffle-Deck

Having a song you can’t figure out how to finish just feels awful, doesn’t it?  I want YOU to have a winning hand with every song.  I want you to have the songwriting skill to find, focus and finish more of your song ideas. 

And by the way, becoming known for consistently finishing your songs (and finishing strong) will help you attract more and better cowriters.  Finish more songs = attract more cowriters.  That’s a win-win.

And I want to help you win.

That’s why I’m hosting a transformative online songwriting event in January called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your ideas for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished! Nobody loves a song they never hear, and a song that’s only 99% finished will NEVER get recorded, get on the radio, or change your life.  Don’t let that happen to you.  Don’t leave your future unfinished in some old notebook somewhere.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE OF THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Writing Songs That Are “Just As Good” Isn’t Good Enough.

Ever turn on the radio, get mad and think, “Well, my songs are just as good as THAT!  Why aren’t MINE getting cut???”

Raise your hand if you’ve been there.  Yep.  Me, too.  And you might actually be writing songs that are, in fact, just as good as a few of the ones on the radio.

But “just as good” isn’t good enough.

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To BE a pro, you need to THINK like a pro, and this FREE ebook will help transform your thinking, your songwriting, and your success.  Get it today!

Click Here For The Book

_________________________________

Unless you’re already one of the cool kids on Music Row with a track record and a strong network, being “just as good” equals “just as good as invisible.”  It’s not enough to get you noticed or to get your song on the radio.

If your songs are just as good as a pro’s, expect the pro writer to get the cut.

After all, the pro has paid his (or her) dues, written a lot of really good songs, has industry contacts and might be writing with the artist or producer.  If anyone’s going to get their mediocre song recorded, it’s them, not you.  It might not seem fair, but a songwriter in that position has earned it.

Your songs have to be better. Period.

Not only do your songs have to cut through all the clutter of “bad” songs, they have to leapfrog all the “good” songs and be so good they land in the stack of “great” songs.

Sure, vanilla songs will get cut, but yours probably won’t.  As an outside songwriter (one without strong industry connections), you’re up against songwriters who DO have those connections.  Basically, your song has to be so good or so right for the artist that they pick yours INSTEAD of their buddy’s (or even their own song).

Write songs so good they can’t be ignored.

So… how do you actually do that?  The shortest answer is just to “dig deeper.”  (Have you ever heard that in a song meeting?  I have.  And it used to drive me NUTS.)

Thankfully, I don’t hear that these days.  Why?  Well… I’ve learned to DIG DEEPER!

I’m a lyricist, so I’ve found my advantage in finding and developing ideas.  Find an interesting title.  Then find a compelling, fresh angle to that idea.  Then develop the idea into something that makes sense commercially.  Then finish strong.  Sounds simple.  But it takes hard work and dedication to the craft of songwriting.

However, becoming known for consistently bringing in strong ideas – and knowing what to do with them – will help you attract great cowriters and maybe even land some great cuts.

I want to help you find, develop & finish great song ideas.

A great idea is one of the best ways to get other songwriters to not only notice you, but to tell their friends about you. If you can make another songwriter say, “I wish I’d thought of that!” they’ll remember you.  And if they remember you, it’ll speed up your success in the music biz.

I want you to be memorable.

If YOU want you and your songs to be memorable (in a good way), I have an awesome opportunity for you.

In the month of January, I’m hosting a transformative online songwriting event called, “Building A Hit: From Blank Page To Finished Lyric.” In this powerful 4-week online workshop, I reveal:

How to find great song ideas. Kill writers block and fill up that blank page again and again.

How to focus your ideas for maximum impact. Don’t waste any more great ideas by leaving them under-developed or confusing.

How to frame your ideas for maximum commercial appeal. Having a great, compelling idea isn’t enough. You have to build your song in a way that an artist will want to sing it and an audience will want to hear it.

How to finish your song. Stop leaving your best ideas unfinished! Nobody loves a song they never hear, and a song that’s only 99% finished will never get recorded, get on the radio, or change your life.

If you want to join me on a journey that will help you think and write like a pro songwriter, click on the link below. Spots are limited for this event, and I only host it twice a year. Miss out, and it’s gone for another 6 months. Don’t delay. Transform your songwriting today..

DON’T MISS OUT- CLICK HERE TO TAKE ADVANTAGE THIS GREAT OPPORTUNITY.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.

Don’t Write With Artists That Do These 5 Things (Even If They’re Great Singers)

Album credits make one thing perfectly clear – it’s smart to write with the artist.  There’s no denying that.  However, not every artist is worth your time and creativity.

Here are 5 red flags that mean you should probably NOT write with the artist.

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Okay, if the artist is already a star and cuts their own songs, you should definitely write with him or her if you get the chance.  Do it, be thankful for the opportunity, and bring your best work.

However, most artists are NOT stars.  They’re unsigned artists who hope to become stars.  And maybe they look great and even sing great.  I know in those cases it can really be tempting to go “all in” with those artists in the hopes that they’ll make it big – and take you with them.

But most artists never become stars, and here are five reasons many of them are doomed.

If your artist cowriter (or potential cowriter) is doing any of these things, consider it a major warning sign.  These artists probably aren’t going to make it.  Sorry.

1. Doomed artists disregard their fans (or potential fans).

In the old music biz, maybe you could get away with being mysterious and aloof.  But in the social media age, you can’t be too cool for school.  Look at Taylor Swift.  She’s one of the biggest stars on the planet, and she built her career by LOVING her fans.  She surprises and delights them.  She cares about them.  In return, they care about her.

If your artist expects their music – and ONLY their music – to build a legion of raving fans… they’re sadly mistaken.

2. Doomed artists are waiting for a hero.

Is your artist friend waiting around for someone else to make their dreams come true?  Are they just killing time until they get discovered by a manager, booking agent or label who will do all the hard work and open all the right doors?

The artists who are likely to make it have an incredible work ethic.  Their attitude isn’t “who’s going to let me?”  It’s “who’s going to stop me?”  They get off the couch or out of the studio, and they hustle.  They book their own shows, they connect with fans.  Those are artists who are likely to be discovered – because they’re discoverable!

3. Doomed artists treat music like a hobby.

This is similar to the previous red flag.  But while the last type of artist really wants to succeed but has given away their power, this artist either doesn’t really want success or is just plain lazy.  This artist is probably naturally very talented and hasn’t had to work that hard to get some attention.  As a result, maybe they’ve never learned how to grind.  Or they just aren’t willing.

Either way, their lack of work ethic means they’ll probably never become a star.

4. Doomed artists act entitled.

I don’t care who your artist friend is, the world does NOT owe them success, or even attention.  Just because they care about their own music doesn’t mean that anyone else has to.  Why should anyone treat them like a star when they are NOT a star?

Also, entitled artists usually don’t have as much hustle because they feel like success and attention should be handed to them by the mere fact that they want and expect attention and success.  That kind of attitude will turn off folks in the music biz, and it’ll eventually turn off fans, too.

5. Doomed artists radiate bitterness or negativity.

Believing that you won’t succeed is a self-fulfilling prophecy.  So if your artist friend believes he or she is being “held down” by gatekeepers, publishers or record labels and THAT is what’s keeping them from success… run away.

This negative, bitter attitude gives away the artist’s power and ownership over the situation.  They’ve allowed themselves to become a victim.  This attitude will also repel real music biz pros.  And even worse… it’s contagious.

You do NOT want to catch a negative attitude from the artist.  Before you know it, you’ll start seeing all the reasons you CAN’T succeed, and you’ll stop seeing all the reasons you CAN succeed.

There you go.  Five warning signs that you should not be writing with an artist.  Now, if you write amazing songs with this person, it might be worth it to keep writing with them- IF you treat them like a non-artist cowriter.  In other words, don’t wait around for that artist to take those songs to #1.  If they’re great, pitch them to other artists.

If your cowriter doesn’t want you to pitch them anywhere, use these cool songs to get new cowriters.  Then move on.

I know this may be hard to hear.  I know it may force you to confront an uncomfortable truth you’ve been ignoring.  But I’ve personally wasted too many songs and days on artists like the ones on this list.

I want you to avoid my mistakes.

If you want to dive deeper into this topic- or any other songwriting problem you might have, it’s time to sign up for a coaching session.  These sessions are personal (1-to-1), confidential, and it doesn’t matter where in the world you live.  We meet online, so it’s like we’re in the same room (only you don’t have to wear socks and shoes).

This is your chance to ask me YOUR questions, work on YOUR songs, pick my brain, etc.  Basically, it’s my time to serve you however I can, on a comfortable one-to-one basis.

You can learn more or sign up for a helpful coaching session HERE.

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far. SWP 4