Tag Archives: Brian Hitt

How One Relationship Can Open Doors All Over The Music Biz

The music business is a relationship business. Yes, it takes great music. But it also takes great relationships. And it’s amazing how just ONE relationship can open up MANY doors of opportunity.

One believer- one champion- can change your career.

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I’m friends with Chad Green. I’ve been thinking a lot about Chad lately because I have a “Know The Row” event coming up with him next month. He’s currently the Senior Creative Director at Daywind Music Publishing.

But back in 2004, Chad was a membership representative with ASCAP, my Performing Rights Organization, or PRO.

In our first meeting, he picked up the phone and called Major Bob Music for me. I’d dropped off a comp for them and never heard anything back. This time, after Chad’s call, they listened. That call led to a meeting and eventually led to my first publishing deal.  Thanks, Chad.

Chad also invited me to join ASCAP’s Country Workshop, where I met hit songwriter Byron Hill. Byron’s written “Fool Hearted Memory” for George Strait, “Politics Religion And More” for Sammy Kershaw, “Born Country” for Alabama and more. Byron and I eventually started writing together, and that has led to a few cuts, including “When Your Lips Are So Close,” a #1 Canadian country single and 2014 CCMA Single Of The Year for Gord Bamford. Thanks, Chad.

After Chad left ASCAP, he was Creative Director for Word Music Publishing. He called me up about some cowrites. That’s when I met Brian Hitt and Jay Speight. Together, we’ve had a song called “God Amazing” cut by Charles Billingsley in the Christian market. We also landed a few songs on a Christian children’s album called “K-Tunez Praise.” Side note- it’s fun when I hear my kids spinning that album in their room. Thanks, Chad.

Now Chad is Senior Creative Director at Daywind Music Publishing. So far, he’s introduced me to one of my favorite cowriters, a guy named Jason Wilkes. And Chad is currently working on getting me in the room with a successful country artist for an upcoming project on Daywind. I can’t say who the artist is, but I have a few of his country records, and I’m super pumped for the opportunity.

One industry contact has turned into a friendship and – over time – has led to a lot of good things.  And that’s the lesson for YOU SongPros out there.

Relationships matter. Relationships open doors.

And it’s a two-way street. Chad calls me 1) because we’re friends and 2) he believes in my songwriting chops. He’s not going to bring me in with one of his writers or one of his artists if he thinks I’m going to blow it. After all, he has his own family to feed. He has his own professional reputation to consider.

I’ve made it easy for him to open those doors for me by 1) being a writer he respects and 2) being a friend.

Another lesson: people don’t stay in the same jobs forever. Chad was an ASCAP rep. At that job, he was able to hook me up with a publisher. Later, at a publishing company, he was able to hook me up with cowrites. Now, he also has contacts with a label, and he’s working on hooking me up with an artist.

Think long-term.

They say to make friends BEFORE you need them. I hope you’ll be mindful of making long-term contacts in the music business. And it all starts with a first step.

I have a great first step for you. If you’d like a chance to hang out with Chad Green yourself, we’re doing an online Know The Row event in July.  With it being online, you can join us from anywhere in the world with an internet connection.  If you want details, just CLICK HERE.  Tickets are on sale now!

God Bless and Enjoy the Journey,

Brent

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

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The Value Of A Songwriter/Producer Relationship

Man vs Row

Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US and a #1 in Canada… so far.

Everyone tells you about the value of writing with an artist/writer. And, true enough, those can be very valuable relationships. Write a great song with an artist/writer, and you have a direct path to a cut.

There’s another type of “slash” that has a lot of value, too. That’s the writer/producer.

Whereas a writer/artist gives you direct access to that particular artist, a writer/producer can give you direct access to several artists. Here are a few of my experiences with writer/producers.

Byron Hill is a hit songwriter with multiple #1s and a ton of cuts. He’s also produced Gord Bamford’s first several albums. Gord’s a big star in Canada, and he and Byron have cowritten a lot of his songs. Because of my cowriting relationship with Byron, I was able to write with both of them, leading to 3 cuts and 1 #1 hit / Single Of The Year in Canada.

Aaron Goodvin is a young songwriter/producer. As a songwriter, he’s recently gotten cuts on Luke Bryan, Jon Pardi, and Cole Swindell. He’s also starting to produce some artists back home in Canada. He and I’ve been friends and cowriters for several years, and he brought me in to write with an artist named Drew Gregory. We wrote a song called, “Five String.”

Drew actually didn’t cut that song, but it WAS cut by another artist, Tristan Horncastle, that Aaron was producing for Sony Canada. Drew ended up cutting a different song of mine, “Farm Hands,” which he heard through Aaron.

Like I said, one writer/producer can link you to several artists.

Another buddy of mine is Brian Hitt. I’ve written songs with him that have landed on some of his projects including a Canadian Christmas single and 3 songs on a Christian kid’s album for Brentwood Benson, a big player in the Christian music space.

Here’s another advantage of writing with a writer/producer: if they have a home studio, you can get great, cheap demos of your cowrites. Bonus!

My writer/producer relationships have been an important and valuable part of my network. They might be worth giving some focus as you build your network, too.

What do you think?  What are YOUR thoughts on writer/producer relationships?  Have you had success with that on a smaller or larger scale?  I’d love to hear your thoughts!

God Bless,

Brent

A GIFT FROM BRENT

Thanks to those of you who have already downloaded my book, Hit Songwriting: How A Songwriting Coach Can Fast Track Your Success! You made it an Amazon bestseller in both the Songwriting and Music Instruction categories, and I really appreciate it! However, if you haven’t downloaded your copy yet, you can get it FOR FREE at www.GiftFromBrent.com or by clicking on the image below. Enjoy!

Gift From Brent Songwriting 3