All posts by Brent Baxter

Your Chorus Is Your Punchline

Man vs Row

In certain ways, writing songs is like writing jokes.

You start with your setup, or your verse. You tell a story which draw your listeners in. Then you hit them with your punchline, or your chorus. That’s your big emotional highpoint of the joke / song.

But here’s the difference…

When we write songs, we don’t hit the punchline and then move on to the next joke. With songwriting, we have to write a 2nd verse that leads right back into the same punchline- and we have to write it so well that it’s an even MORE powerful emotional moment- then maybe we write a bridge and do it again!

That’s hard.

And it’s no laughing matter.

God Bless,

Brent

Learn How To Make Your Songs More Cut-Worthy!

Man vs. Row invites you to be a part of an exclusive Google Hangout I’ll be hosting on Thursday, October 23, from 8pm-9pm Central. In this live event, I’ll teach from my new book, “Cut/able: Lessons In Market-Smart Songwriting.”  Not only will you receive a FREE copy of “Cut/able” with your ticket, I’ll answer YOUR questions face-to-face as we discus how YOU can make your songs more market-smart.  Space is very limited, so click on the image below to find out more!  (Or click here.)

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Become an MvR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP!  Simply enter your email in the “Become an MvR VIP” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Man_vs_Row

Wordplay Thursday #63

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you.  It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“The margaritas had her buzzing like _____.”

I’ll give you an example to get you started:

“The margaritas had her buzzing like the blender she made ’em in.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to Steve, Dan Retz, Matt Martoccio, Roger Vines, Dana Russell, Todd Storinge, Mae Young, Barney Coulter, Janet Goodman, and Willa Thompson for your great additions to Wordplay Thursday #62 (read it here)! Great job- you folks are funny!

LIVE WEB-WORKSHOP! ARE YOU READY FOR YOUR SONGS TO BE “CUT/ABLE?”

“Cut/Able: Lessons In Market-Smart Songwriting,” is four powerful lessons for songwriters who want cuts & hits, who want to learn how to write commercially marketable songs, & who want their songs to connect powerfully with both fans and Music Row pros. If you want those results, these lessons can help.

As part of the release of “Cut/able,” I’m hosting a live web-event where I’ll answer questions and provide extra content from “Cut/able.”  You’ll also receive a copy of “Cut/able” FREE with your ticket (a $20 value).  The web-shop is on Thursday, October 23, 2014 from 8pm-9pm Central.  Click on the image below to find out more!

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BECOME AN MVR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP! Simply enter your email in the “Become an MvR VIP” section on this page. It’s either in the upper righthand corner or down below. Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Twitter: @Razorbaxter

Facebook: www.brentbaxtermusic.com

Instagram: Man_vs_Row

God Bless,

Brent

Are You Writing Your Song From The Best Point Of View?

Man vs Row

Sometimes we hit a roadblock with our song because we’re writing from the wrong point of view.

Let’s say you’re writing about domestic abuse. (I know, I know. It’s an uplifting topic, but bear with me.) Consider all the characters your singer could be:

The abusive husband.
The abused wife.
The child who is a witness / victim.
The neighbor who overhears them.
The police officer called to the scene.

And these are only some of the PEOPLE who could tell the story. If you get a little further out there, your singer could even be:

The wedding ring.
The family dog.
The hole he punched in the wall.
The bathroom mirror where she puts on makeup to cover the bruises.
The angel who comforts the child hiding under the bed.
God, watching the whole thing.

Or your singer could simply act as a reporter who says, “he did this, she did that,” and isn’t involved in the story as a character.

The options are pretty limitless. And each point of view will bring a different energy to your song. Feel free to experiment with the point of view in your song- you might just find something amazing.

What about you?  What is the most interesting point of view you’ve used in one of your songs?  I’d love to hear from you!

God Bless,

Brent

ARE YOU READY TO MAKE YOUR SONGS “CUT/ABLE?”

“Cut/Able: Lessons In Market-Smart Songwriting” is four powerful lessons for songwriters who want cuts & hits, who want to learn how to write commercially marketable songs, & who want their songs to connect powerfully with both fans and Music Row pros. If you want those results, these lessons can help. To get a FREE EXCERPT of “Cut/able,” just click on the image below:

photo-18

Become an MvR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP!  Simply enter your email in the “Become an MvR VIP” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Man_vs_Row

Wordplay Thursday #62 “Skunk On A Plane”

Wordplay Thursday

Welcome to Wordplay Thursday!

Let’s mix things up a little this week.  Growing up, I was a fan of Weird Al Yankovic (heck, I guess I’m still a fan, really).  As a word guy, I loved writing parodies of songs.  It was great creative training, though I didn’t know that then.  It gave me practice writing words that fit a certain phrasing and melody, and I got to make up funny stories.  Good times.

So here’s today’s writing prompt.  Let’s write a parody.  Or at least a few lines.  Don’t feel like you have to do the whole song.  Just do whatever you have the time or inclination for.  It’s just a fun creative exercise.

Today, let’s write a parody of:

“Drunk On A Plane” by Dierks Bentley

You can write about anything, but here’s a suggestion:

“Skunk On A Plane”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to tri4balance, Bill Soprano, Nila, Roger Vines, Jim King, Barney Coulter, Robert Sans, Matt Martoccio, Dana Russell, Todd Storinge, Janet Goodman, Michael Flanigan, James Mitchell, Debbie Convoy, Lance Sims, Julie, and theresavesnesky for your great additions to Wordplay Thursday #61 (read it here)! Great job!

THE PRO KNOWS

To BE a pro, you need to THINK like a pro. In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business. Just click on the picture below to download this complimentary report today!

The Pro Knows

 

BECOME AN MVR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP! Simply enter your email in the “Become an MvR VIP” section at www.manvsrow.com. It’s either in the upper righthand corner of the site or at the bottom (mobile). Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Twitter: @Razorbaxter

Facebook: www.brentbaxtermusic.com

Instagram: Man_vs_Row

God Bless,

Brent

Single Of The Year… Now What?

Gord When Lips Single

I was blessed to be a cowriter on “When Your Lips Are So Close,” which recently won “Single Of The Year” at the 2014 Canadian Country Music Awards (CCMA). I wrote the song with the artist, Gord Bamford, and his co-producer, Byron Hill. I’ve written three songs with them, and Gord has cut each of them. Three cowrites= 3 cuts, 1 #1 single, 1 gold single, 2 CCMA nominations and 1 CCMA win.

Now what?

Thankfully, Gord wants to write again. That’s great. But now that we’ve written a #1 together, now that we’ve had that success, the challenge is to keep my mind right. Possible pitfalls include:

Analysis paralysis.

It’d be easy to lock up creatively. To not write ANYTHING unless I’m sure it’s at least as big of a hit as “When Your Lips Are So Close.” Truth is, we didn’t know “When Your Lips Are So Close” was a #1 when we wrote it. We knew it felt really strong, but that was it. I can’t get trapped into having to think it’s a sure #1 before I’m willing to roll the dice.

Repeating myself.

I also have to avoid the temptation to play it safe by bringing in ideas that are too similar to “When Your Lips Are So Close.” Yes, there are elements of it we’d be wise to bring into another song. But we don’t want to just repeat ourselves. We need to write his NEXT hit, not rewrite his LAST one.

Getting complacent or cocky.

I’ve been blessed to have Gord cut all 3 of our cowritten songs, but nothing is guaranteed. If I just get lazy, thinking on some level, “Oh, he loves all my stuff,” then I won’t bring my best work (while his other cowriters will). Gord deserves better. So does Byron. So does my family.

Identifying these head-game tripwires should help me avoid them (hopefully). Now it’s mainly a matter of carving out enough creative space to be prepared. Then we’ll all just have to hope the muse shows up.

What about you?  What are some head-game tripwires that you run into, or have to actively avoid?  It doesn’t have to be about following up a hit- it could be about “wow, we had a great first cowrite… now what?” or “wow, that was a terrible first cowrite… now what?” I’d love to hear from you!

God Bless,

Brent

READY FOR YOUR SONGS TO BE “CUT/ABLE?”

“Cut/Able: Lessons In Market-Smart Songwriting” is four powerful lessons for songwriters who want cuts & hits, who want to learn how to write commercially marketable songs, & who want their songs to connect powerfully with both fans and Music Row pros.  If you want those results, these lessons can help.  To get a FREE EXCERPT of “Cut/able,” just click on the image below:

photo-18

Become an MvR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP!  Simply enter your email in the “Become an MvR VIP” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Man_vs_Row

The Cure For Your Songwriting Symptoms

cropped-SWP-2.jpg

Songwriters are a sick bunch of folks.

And, no, I don’t mean we’re crazy for doing what we do. (Okay, maybe a little, but that’s not what I’m talking about today.)  What I mean by sick is that we have a lot of aches and pains that really bother us. As a pro songwriter and teacher, I’ve had a lot of writers come to me over the years looking for a way to heal their pain.

Songwriter pains include:

*I’m not getting cuts.
*I can’t find good cowriters.
*Publishers won’t set me up with cowrites.
*My ASCAP/BMI rep won’t introduce me to publishers or cowriters.
*Publishers won’t give me a meeting.

Songwriters are often tempted to treat each of these conditions as a separate illness, but I think that’s usually a mistake.

These are just symptoms. The disease is having songs that aren’t good enough.

We can treat the symptoms all day long, but until we address the disease itself, your songwriting success will be limited. For example, we might be able to smooze our backsides off and finally talk our way into a cowrite with a pro writer… but so what? He or she will figure out pretty quickly that our songwriting isn’t up to snuff, and we probably won’t get a second cowrite.

But if we write strong songs, it’ll be a lot easier to get a pro to sit down to write. And when we prove our skill again- in the writing room- it’ll be easier to get a second cowrite.

It’s hard to think of a “songwriter symptom” that isn’t dramatically helped or fixed completely by writing better songs.
Want your ASCAP or BMI rep to start introducing you around? Write better songs.
Want better song evaluations? Write better songs.
Want better cowrites? Be a better cowriter yourself- by writing better songs.
Want cuts? Write incredible songs, which lead to more relationships in the biz which lead to more opportunities to write more incredible songs, which put you in a much better position to get cuts.

Treat the illness and the symptoms become a lot less severe or just go away on their own.

God Bless,

Brent

Wordplay Thursday #61

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you.  It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“My heart beat faster than _____.”

I’ll give you an example to get you started:

“My heart beat faster than hummingbird wings.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to Andrew Clayton, Matt Martoccio, John Shouse, Ken Matthiesen, Barney Coulter, David Micheal, James Mitchell, Debbie Convoy, Michael & Mikalyn Hay, Mae Young, Janet Goodman, Willa Thompson, and Dana Russell for your great additions to Wordplay Thursday #60 (read it here)! Great job!

THE PRO KNOWS

To BE a pro, you need to THINK like a pro. In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business. Just click on the picture below to download this complimentary report today!

The Pro Knows

 

BECOME AN MVR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP! Simply enter your email in the “Become an MvR VIP” section at www.manvsrow.com. It’s either in the upper righthand corner of the site or at the bottom (mobile). Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Twitter: @Razorbaxter

Facebook: www.brentbaxtermusic.com

Instagram: Man_vs_Row

God Bless,

Brent

Don’t Fall For The Facebook Fantasy

Man vs Row

It’s easy to get frustrated by facebook.

You scroll through your feed, and it seems like everyone in Nashville is:

“Writing a hit with ___ today!”

“Listening to new mixes – they sound awesome!”

“Just booked a show in ___!”

“Just got a cut today- wish I could tell you who, but I will soon!”

And it may all be true. I try to listen to my better angels and be happy for the success of others, even when I’m not getting as many cuts as I want.

But just remember- you only see what other folks WANT you to see. Certain people are going to overhype everything in an attempt to fake it till they make it. Others are overconfident or excited and really think every song they write is a hit. Others are so insecure that they feel they have to make things sound better than they are so they don’t get outted as the frauds they fear they are. Others are completely honest, but they only post the positive things.

All this can lead to the false impression that everyone is on the fast lane of success while you can’t get out of the garage.

So, how do we avoid falling into the facebook fantasy? First of all, don’t spend too much time on it. There’s probably something better you can do with your time, anyway. (Yes, I’ll post this to my facebook page, and I’m well aware of the irony.) Secondly, realize that the truth behind most of those posts is probably:

“Writing a hit with ___ today… and my publisher probably won’t even like it so it’ll never even get demoed!”

“Listening to new mixes- they sound awesome… and every label will pass on the song at least twice!”

“Just booked a show in ___ … and after gas and paying the band, it’ll cost me $100!”

“Just got a cut today- wish I could tell you who, but I will soon… as I google them because it’s some no-name indie artist that probably won’t even pay mechanicals on the 1,000 units they’ll print, anyway!”

While that’s kind of a fun game, don’t be a hater. But just as importantly, don’t let facebook make you hate yourself.
Now, if you’ll excuse me… I need to go write a hit and listen to some sweet new mixes.

God Bless,

Brent

THE PRO KNOWS

To BE a pro, you need to THINK like a pro. In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business. Just click on the picture below to download this complimentary report today!

The Pro Knows

Become an MvR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP!  Simply enter your email in the “Become an MvR VIP” section on this page.  It’s either in the upper righthand corner or down below.   Also, please share this blog with anyone you think would benefit from it.  I appreciate it when you share it on Twitter, Facebook, and anywhere else.  Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Man_vs_Row

Wordplay Thursday #60

Wordplay Thursday

Welcome to Wordplay Thursday!

Here’s a writing prompt for you.  It’s a simple fill-in-the-blank. You can use one word or several. Feel free to get as crazy, genre-appropriate, or as imaginative as you want. The point is to get the creative juices flowing. And it’s a good thing to dig deeper, so don’t stop at the first idea that hits you. Try coming up with at least five things.

“I felt more out of place than _____.”

I’ll give you an example to get you started:

“I felt more out of place than a number in the alphabet.”

I’d love to hear what you come up with, so please share in the comments. Oh, and please keep your posts below an R-rating. It’s a family show, after all!

SHOUT OUT!

Thanks to Andrew Clayton, Ken Matthiesen, Michael Flanigan, Roger Vines, Barney Coulter, Roger Russell, Debbie Convoy, Bill Soprano, Janet Goodman, Jeff Miller, David Michael, Samary, Ross Hemsworth and Matt Martoccio for your great additions to Wordplay Thursday #59 (read it here)! Great job!

THE PRO KNOWS

To BE a pro, you need to THINK like a pro.  In this complimentary report, learn the mindsets that help the pro songwriter get cuts, earn respect in the industry, and maintain long-term success in the music business.  Just click on the picture below to download this complimentary report today!

The Pro Knows

BECOME AN MVR VIP!

If you like this blog and don’t want to miss a single post, or if you want special discounts on Man vs. Row products and services, become an MvR VIP! Simply enter your email in the “Become an MvR VIP” section on this page. It’s either in the upper righthand corner or down below. Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Twitter: @Razorbaxter

Facebook: www.brentbaxtermusic.com

Instagram: Man_vs_Row

God Bless,

Brent

Songwriters, Take Your Listeners To The Movies

Man vs Row

Brent is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ray Stevens, and more.  He’s written a top 5 hit in the US and a #1 in Canada… so far.

Imagine yourself in a darkened movie theater. The movie starts to play, but there is just sound… no picture. You’d be upset, right? Well, then, why do we sometimes write songs that way?

I think the movie analogy is an appropriate one for songwriting.

After all, don’t we basically write 3-minute movies?

Our job is to entertain, to move, or to make the listener think. Just like a movie. But because songs are an audio format, we sometimes forget about the pictures. But they are terribly important!

Take, for instance, “The Thunder Rolls” written by Garth Brooks and Pat Alger. Yes, it’s an oldie, but it’s a classic. This lyric is a movie all by itself. Let’s look at the first verse:

3:30 in the morning / not a soul in sight / the city’s looking like a ghost town / on a moonless summer night / raindrops on the windshield / there’s a storm moving in / he’s heading back from somewhere / that he never should have been / and the thunder rolls

You can SEE that verse. The ghost town, the dark night, the raindrops. Not only that, but you can HEAR it. The thunder rolls. While this lesson will focus on visuals, don’t forget that you have FIVE senses, and you should use as many of them in a song as possible. Let’s look at the second verse:

Every light is burning / in a house across town / she’s pacing by the telephone / in her faded flannel gown / askin’ for a miracle / hopin’ she’s not right / praying it’s the weather / that’s kept him out all night / and the thunder rolls

Again, you can SEE and HEAR that verse. Lights burning, pacing by the phone, the faded flannel gown, the thunder rolls. And the third verse is just as visual as the first two.

It is no accident that some writers refer to sensory details as “furniture.” An empty room is not very inviting. It doesn’t hold your attention very long. However, a room with a great big couch and great art on the walls INVITES you in for a while. It gives you something to look at.

I got this feedback from an old publisher when I didn’t have strong visuals in a song. He said it left him, as he called it, “floating around in space with nothing to hang on to. You’re just telling me how you FEEL.”

There’s a songwriting adage that says, “Don’t TELL me, SHOW me.” Visuals give you something to latch on to. A strong visual or other sensory image at the front end of a song really draws a listener in. It gives you a picture right off the bat.

Take these following first lines from some recent hit songs:

Doublewide Quick Stop midnight T-top Jack in her Cherry Coke town – “American Kids” sung by Kenny Chesney

Quarter in the payphone, clothes drying on the line – “Automatic” sung by Miranda Lambert

Those high heels with that sun dress, turquoise heart hanging ‘round your neck – “My Eyes” sung by Blake Shelton

Summer comin’ through a rolled down window, tearin’ down an almost two lane back road – “We Are Tonight” sung by Billy Currington

And now a few hits that are a couple years back…

Sun shines, clouds rain, train whistles blow and guitars play – “It Just Comes Natural” sung by George Strait

I’ve packed a cooler and a change of clothes – “Want To” by Sugarland

Driving through town, just my boy and me. With a happy meal on his booster seat– “Watching You” by Rodney Atkins

I can take the rain on the roof of this empty house– “What Hurts The Most” Rascal Flatts

She’s a yellow pair of running shoes, a holey pair of jeans– “She’s Everything” Brad Paisley

I could do this for days. Now, I know there are examples out there of purely emotional songs that do well. But if you look at the songs that are not written by the artist or by the producer or by an established hit songwriter, I think you’ll see a trend.

So good luck with your songwriting. Use lots of visuals, and keep at it.

What about you?  Do you tend to write with or without a lot of imagery?  Are there lines from some other songs you think have great imagery that you’d like to share?  I’d love to hear from you!

God Bless,

Brent

ARE YOU READY TO JOIN MvR IN THE TOP 10 THIS WEEK?

The listener’s reaction to your song is only as real as the character in your song. The W.I.L.L.power workshop will teach you tips & techniques to make the characters in your songs come alive and jump out of the radio and into your listeners’ hearts. There are only a handful of tickets available for this intimate get-together, AND THE WORKSHOP IS THIS WEEK! Click on the image below to find out more!

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BECOME AN MvR VIP!

If you like this blog, don’t miss a single post! Join by putting your email in the “Become An MvR VIP” section on this page. It’s either in the upper righthand corner or down below. Members receive discounts on products and services and well as some other cool stuff. Also, please share this blog with anyone you think would benefit from it. I appreciate it when you share it on Twitter, Facebook, and anywhere else. Thanks!

Brent’s Twitter: @Razorbaxter

Brent Baxter Music:  http://www.brentbaxtermusic.com

Brent’s Instagram: Man_vs_Row

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