Pros are all around you- you see them at the coffee shop, walking up and down the sidewalks of Music Row, at lunch in midtown, and out at songwriter nights. But how do you connect?
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I know. Easier said than done, right? But here are some people who have the possibility of connecting you to a pro. By “connecting,” I don’t necessarily mean booking a cowrite. I mean anything from “Bill Hitmaker, this is Manny Row,” to “Bill, you and Manny should write sometime!” to “Manny, let me book you with Bill.”
If you’re a member of ASCAP, SESAC, or BMI, try to get a meeting with a membership representative. If you can make a fan out of him (or her), he might connect you with some other up-and-coming songwriters. Absolutely blow your rep’s mind, and he might connect you to a pro.
If a publisher really digs what you do, he/she might book you with some pro cowrites. Of course, connecting with a publisher isn’t easy. But I’ve written about that before. CLICK HERE to learn how to get on a music publisher’s radar.
Pro songwriters know people at organizations like NSAI. They hang out there sometimes. As the folks at these places get to know you (and become a fan of your writing and of you as a person), they may just grab you one day and say, “I want you to meet Bill Hitmaker. Bill, this is Manny Row…” Those kind of personal introductions are great.
Who do your current cowriters and songwriting friends know? Who are their cowriters? Maybe you can arrange a lunch or (better yet) a cowrite between the three of you.
But don’t expect your cowriters to just do you a favor. Make it easy on them by presenting an amazing idea or melody that you want to write with a pro. It could be pretty attractive for your cowriter to hook up your amazing idea/melody with an established pro who has connections. Your cowriter wins by bringing both sides value and being in the room, too. And “great idea” + “pro songwriter” increases his chances of a cut, so he should be happy to get all three of you together.
If you live in Nashville, odds are you know somebody who knows a pro songwriter. Don’t abuse your friendships, but do be on the lookout for opportunities to meet those pros. Maybe it’s at a kid’s birthday party. Maybe it’s at a Christmas party. You never know. Just be aware of the situation, and act appropriately. And be patient. Nobody wants a CD slammed in their hand at the neighborhood swimming pool.
That’s right, part of the mission of Frettie.com and Songwriting Pro is to connect YOU to the pros. I don’t want to just give you ADVICE, I want to give you ACCESS.
Every quarter, I host Frettie’s “Know The Row,” with an industry pro. And our next event is coming up in February with hit songwriter, Byron Hill!
This is your chance to sit down face-to-face (online) with a real-deal professional songwriter. Since moving to Nashville and signing his first publishing deal in 1978, Byron’s songs have generated more than 700 recordings, and have been released on ninety-one industry certified Gold and Platinum albums and singles! Wow.
You and I BOTH want to learn what Byron has to share.
Here’s the deal. You can join us online from anywhere in the world on Thursday, February 8, 2018 from 7pm-8pm Central time. And this special event is FREE to members of Frettie.com! (But don’t worry- you can still purchase a ticket even if you don’t want to take advantage of all of Frettie’s membership benefits.)
CLICK HERE TO GET ALL THE DETAILS & MEET HIT SONGWRITER BYRON HILL.
Brent Baxter is a hit songwriter with cuts by Alan Jackson, Randy Travis, Lady Antebellum, Joe Nichols, Gord Bamford, Ruthie Collins, Ray Stevens, and more. He’s written a top 5 hit in the US, a #1 in Canada & a top 10 in Texas… so far.
Hey Brent: I’m new here, I joined you via Johnny, and also The C.L.I.M.B! This looks like maybe a neat thing you’ve got going, still too new to tell?
I write a lot, I would like to think that most of them are pretty good, but truthfully I don’t know. None of them have been completely recorded yet! I published the lyrics in a couple of books because I thought they were strong enough to stand as short stories. Anyway I’m currently recording a few, and hitting the snags probably associated with being new to digital recording. I saw where you do one on ones? I might like to sign up for that some day.
At the moment I just wanted to hello! and say I found a band I would be interested in targeting a few songs to. I know not to do the unsolicited route(I titled one of my books after that)and also wrote a song about it! Whoops! I got off the trail, this was to say hello and Thanks! Thanks! Robert